メナヘム・プレスラー ( Menahem Pressler, born 16 December 1923, Magdeburg) is a German-born Israeli-American pianist. Following Kristallnacht,[1] Pressler and his immediate family fled Nazi Germany in 1939,[2] initially to Italy, and then to Palestine. His grandparents, uncles, aunts and cousins all died in concentration camps.[3] His career was launched after he won first prize at the Debussy International Piano Competition in San Francisco in 1946. His Carnegie Hall debut subsequently followed, with the Philadelphia Orchestra conducted by Eugene Ormandy.[3] Since 1955, Pressler has taught on the piano faculty at the Indiana University Jacobs School of Music, where he holds the rank of Distinguished Professor of Music as the Charles Webb Chair.[4] His debut as a chamber musician was at the 1955 Berkshire Festival, where he appeared as the pianist of the Beaux Arts Trio, with Daniel Guilet, violin, and Bernard Greenhouse, cello.[4] Although he was a junior partner in the Beaux Arts Trio at the outset, Pressler ultimately became the only original member of the trio to perform with the group through its entire existence, including several changes of membership, up to the dissolution of the trio in 2008.[5] In 2010, he played at the Rheingau Musik Festival with Antônio Meneses, the last cellist of the Beaux Arts Trio, and appeared before in the series Rendezvous.[2] Pressler returned to Germany in 2008 on the occasion of the 70th anniversary of Kristallnacht.[1] In January 2014, aged 90, he made his debut with the Berlin Philharmonic.[6] His performance with the Berlin Philharmonic and Sir Simon Rattle at their 2014 New Year's Eve Concert was televised live all over the world. The Beaux Arts Trio made an extensive series of recordings for Philips.[5] In addition, Pressler has recorded solo piano music commercially on the La Dolce Volta label.[7] Already at the beginning of the 1950s he had recorded a substantial quantity of solo piano music and for piano and orchestra of various composers for the US label MGM. Awards and recognition Among his honors and awards, Pressler has received honorary doctorates from the University of Nebraska, the San Francisco Conservatory of Music and the North Carolina School of the Arts, six Grammy nominations (including one in 2006), a lifetime achievement award from Gramophone magazine[4] and the International Classical Music Awards,[8] Chamber Music America’s Distinguished Service Award, the Gold Medal of Merit from the National Society of Arts and Letters. He has also been awarded the German Critics “Ehrenurkunde” award[4] and election into the American Academy of Arts and Sciences. In 2007 Pressler was appointed as an Honorary Fellow of the Jerusalem Academy of Music and Dance in recognition of a lifetime of performance and leadership in music. In 2005 Pressler received two additional awards of international merit: the German Bundesverdienstkreuz (Cross of Merit), Germany’s highest honor, and France’s highest cultural honor, the Commandeur in the Order of Arts and Letters award. References Kate Connolly (2008-11-07). Kristallnacht anniversary: Hope comes to Berlin's Tempelhof. The Guardian. Retrieved 2014-11-27. „Was der Welt eigentlich den Wert gibt“ Volker Milch, Wiesbadener Tagblatt, 27 August 2010 (in German) Kate Connolly (2008-11-14). No jacket required. The Guardian. Retrieved 2014-11-27. Current and former students to pay tribute to Menahem Pressler at 80th birthday celebration concert Indiana University, 8 December 2003] James R. Oestreich (2008-04-05). A Trio Winds Down, a Circle Closes, and Musicians Plan to Go On. The New York Times. Retrieved 2014-11-27. Carolin Pirich (2014-01-16). Suchen, was einen verzaubert. Die Zeit. Retrieved 2014-11-27. Fiona Maddocks (2013-10-20). Schubert, Mozart, Beethoven: Tales from Vienna – review. The Observer. Retrieved 2014-11-27. IU Distinguished Professor of Piano Menahem Pressler wins lifetime achievement award (Press release). Indiana University. 1 March 2011. Retrieved 2014-11-27. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
アルトゥール・ルービンシュタイン
ベルガマスク組曲: 第3曲:月の光
アラベスク: 第1番
夢
レントより遅く
前奏曲集 第1巻: 第8曲:亜麻色の髪の乙女
子供の領分: 第5曲:小さな羊飼い
前奏曲集 第1巻: 第1曲:デルフィーの舞姫
前奏曲集 第1巻: 第2曲:ヴェール(帆)
亡き王女のためのパヴァーヌ
鏡: 第2曲:悲しげな鳥たち
前奏曲集 第1巻: 第10曲:沈める寺
前奏曲集 第1巻: 第12曲:ミンストレル
舟歌 第6番 変ホ長調 作品70
Debussy: 2つのアラベスク - 第1番 ホ長調
Piano Sonata No. 31 in A-Flat Major, Op. 110: II. Allegro molto
ピアノ・ソナタ第31番 変イ長調 Op.110 - I. Moderato cantabile molto espressivo
ピアノ・ソナタ第31番 変イ長調 Op.110 - II. Allegro molto
ピアノ・ソナタ第31番 変イ長調 Op.110 - III. Adagio ma non troppo - Fuga: Allegro ma non troppo
ピアノ・ソナタ第21番 変ロ長調 D.960 - I. Molto moderato
ピアノ・ソナタ第21番 変ロ長調 D.960 - II. Andante sostenuto
ピアノ・ソナタ第21番 変ロ長調 D.960 - III. Scherzo: Allegro vivace con delicatezza
ピアノ・ソナタ第21番 変ロ長調 D.960 - IV. Allegro ma non troppo
夜想曲第20番 嬰ハ短調 Op.posth.
ドビッシー : アラベスク第1番(2つのアラベスク L66 から)
1. Allegro
Piano Sonata No. 18 in G Major, D. 894: I. Molto moderato e cantabile
Nocturne No. 20 in C-Sharp Minor, Op. Posth., B.49 (Live)
ドビッシー : 前奏曲集 第1巻 L117 - 1. デルフィの舞姫
ドビッシー : 前奏曲集 第1巻 L117 - 2. ヴェール(帆)
ドビッシー : 前奏曲集 第1巻 L117 - 8. 亜麻色の髪の乙女
ドビッシー : 前奏曲集 第1巻 L117 - 10. 沈める寺
ラヴェル : 亡き王女のためのパヴァーヌ M.19
ドビッシー : 夢 L68
ドビッシー : 月の光 (ベルガマスク組曲 L75 から)
Piano Sonata No. 31 in A-Flat Major, Op. 110: III. Adagio ma non troppo - Fuga. Allegro ma non troppo
Pavane pour une infante défunte, M. 19
Piano Sonata No. 11 in A Major, K. 331: I. Theme and Variations, Andante grazioso
Piano Sonata No. 11 in A Major, K. 331: II. Menuetto
Piano Sonata No. 11 in A Major, K. 331: III. Rondo "Alla turca", Allegretto
Chopin: Nocturne in C-Sharp Minor, Op. Posth.
ドビッシー : 小さな羊飼い (子供の領分 L113 から)
ドビッシー : レントより遅く L121
ドビッシー : 前奏曲集 第1巻 L117 - 12. ミンストレル
フォーレ : 舟歌 第6番 変ホ長調 Op. 70
ラヴェル : 悲しげな鳥たち (鏡 M.43 から)
ピアノ五重奏曲 変ホ長調 作品44: 第1楽章: Allegro brillante
ピアノ五重奏曲 変ホ長調 作品44: 第2楽章: In modo d'una marcia (Un poco largamente)
ピアノ五重奏曲 変ホ長調 作品44: 第3楽章: Scherzo (Molto vivace)
ピアノ五重奏曲 変ホ長調 作品44: 第4楽章: Allegro, ma non troppo
ピアノ四重奏曲 変ホ長調 作品47: 第1楽章: Sostenuto assai - Allegro ma non troppo
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