胎児の夢
Yoshiko Sai (Japanese: 佐井好子 Born 22 June 1953) is a female singer-songwriter, composing mainly Folk and Progressive Rock, as well as J-Pop. She is well-known in Japan for releasing her first album 萬花鏡 (Manka Mirror) when she was 22 years old, and for thoughtful, and poetic, lyrical folk, as well as progressive rock. She originally began as an artist at the age of 21, submitting her EP to her local radio station for a contest, was spotted by fellow artist 中山ラビ (Rabi Nakayama), and soon after received two offers by record labels, eventually signing with Japanese label Tenchiku. Her melancholic and poetic lyrics draw from literary influences from famous Japanese novelists, such as Ranpo Edagawa, Mushitaro Oguri, Tachibana Sotoo and Yumeno Kyusaku, as well as personal experience, dealing with subjects such as death, life, birth and love . In her formative years, she was hospitalised with kidney disease, devoting her year in recovery to reading Japanese literature, which led to her poetry composition, and then to her musical career, composing songs on her guitar. Sai released two albums - 萬花鏡 (Manka Mirror), and 密航 (Stowaway), before moving onto her third album, 胎児の夢 (Fetal dream), a more Jazz-influenced album, which was composed with Jazz pianist Tsuyoshi Yamamoto. Following her third album, she took a 20-year break from composing songs, returning to the public eye, in large part due to Jojo広重 (JOJO Hiroshige)'s interest in her work, stating that she was the most beloved and influential artist. In 2001, Sai began sessions with Hiroshige, initially with improvisational performances, but eventually working on the album Crimson Voyage . This collaboration led to the re-issue of a live album LIVE 1976/79 , and eventually to the album タクラマカン (Taklimakan) named after the Taklimakan Desert, which is purported to be a portmanteau of Uyghur words, signifying the term the world of death or a place where life cannot exist forever. In years following her return, Sai has also published a collection of poetry, Blue Glass Ball, and has also continued with artistic works, with the majority of her album covers being self-created artworks. Several influential Japanese artists have listed her as their inspirations, including artist MORRIE. Aside from her musical endeavors, Sai also demonstrates prowess as an artist. She takes on the responsibility of crafting the visual artwork of her albums. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Yoshiko Sai (Japanese: 佐井好子 Born 22 June 1953) is a female singer-songwriter, composing mainly Folk and Progressive Rock, as well as J-Pop. She is well-known in Japan for releasing her first album 萬花鏡 (Manka Mirror) when she was 22 years old, and for thoughtful, and poetic, lyrical folk, as well as progressive rock. She originally began as an artist at the age of 21, submitting her EP to her local radio station for a contest, was spotted by fellow artist 中山ラビ (Rabi Nakayama), and soon after received two offers by record labels, eventually signing with Japanese label Tenchiku. Her melancholic and poetic lyrics draw from literary influences from famous Japanese novelists, such as Ranpo Edagawa, Mushitaro Oguri, Tachibana Sotoo and Yumeno Kyusaku, as well as personal experience, dealing with subjects such as death, life, birth and love . In her formative years, she was hospitalised with kidney disease, devoting her year in recovery to reading Japanese literature, which led to her poetry composition, and then to her musical career, composing songs on her guitar. Sai released two albums - 萬花鏡 (Manka Mirror), and 密航 (Stowaway), before moving onto her third album, 胎児の夢 (Fetal dream), a more Jazz-influenced album, which was composed with Jazz pianist Tsuyoshi Yamamoto. Following her third album, she took a 20-year break from composing songs, returning to the public eye, in large part due to Jojo広重 (JOJO Hiroshige)'s interest in her work, stating that she was the most beloved and influential artist. In 2001, Sai began sessions with Hiroshige, initially with improvisational performances, but eventually working on the album Crimson Voyage . This collaboration led to the re-issue of a live album LIVE 1976/79 , and eventually to the album タクラマカン (Taklimakan) named after the Taklimakan Desert, which is purported to be a portmanteau of Uyghur words, signifying the term the world of death or a place where life cannot exist forever. In years following her return, Sai has also published a collection of poetry, Blue Glass Ball, and has also continued with artistic works, with the majority of her album covers being self-created artworks. Several influential Japanese artists have listed her as their inspirations, including artist MORRIE. Aside from her musical endeavors, Sai also demonstrates prowess as an artist. She takes on the responsibility of crafting the visual artwork of her albums. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Abscondo
Accordzéâm
Adiafa
aeseaes
胎児の夢
アルハンブラの青い壜
ヒターノ
波止場
青いガラス玉
ある晴れた夜
春の夢
遍路
海の沈黙
白昼夢
ねこのこねこ
人のいない島
耳のない仔猫
母さまへ
とべとべ飛行船
夜の窓
ボン・ボヤージュ
蝶のすむ部屋
Today and Tomorrow
淋しい印度人
日曜日
夜の精
あの青い空には神様がすんでる
冬の地下道
鬼づくし
白い鳥
恋した人へ
椿は落ちたかや
逢魔ヶ時
酔ひどれ芝居
紅い花
雪女
変わり者
ひら ひら
春の川
見果てぬ夢
迷いの神
デ・ジャヴ
青い花
旅は終わらない
タクラマカン
春
密航
鏡地獄
二十才になれば
絹之道
眠りのくに
天使のように
漂流船
Taiji no Yume
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