風狂歌人〜ザ・ベスト・オブ嘉手苅林昌〜
Rinsho Kadekaru was born at Nakahara in Goeku Village in the centre of Okinawa on July 4th 1920. He began playing sanshin at the age of seven, and by the time he was 15 started to participate in his village’s all night revelries known as mo-ashibi. These were outdoor parties that took place in open spaces on the outskirts of farming villages. Young people would sing, dance and drink, often until dawn, then do a full days hard labor in the fields, and party again the next night. The highest musical standards were maintained and Kadekaru soon gained a reputation for his sanshin playing and was often invited to perform at other village’s jamborees. Successive authorities attempted to ban the mo-ashibi, these unruly gatherings were thought to be immoral, but they flourished until just before the second world war. In the pre-war years there are stories of parents encouraging their children to take part in the mo-ashibi every night, in the hope they would fail the medical for military conscription due to exhaustion. After the war, and the US occupation, the mo-ashibi was outlawed for good. Kadekaru stayed on the islands of Saipan and Tinian returning to Okinawa in 1949. His reputation had not been forgotten and he became one of the pivotal figures in the post-war Okinawa folk boom. He recorded nearly 250 songs for local record labels, more than any other musician. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Rinsho Kadekaru was born at Nakahara in Goeku Village in the centre of Okinawa on July 4th 1920. He began playing sanshin at the age of seven, and by the time he was 15 started to participate in his village’s all night revelries known as mo-ashibi. These were outdoor parties that took place in open spaces on the outskirts of farming villages. Young people would sing, dance and drink, often until dawn, then do a full days hard labor in the fields, and party again the next night. The highest musical standards were maintained and Kadekaru soon gained a reputation for his sanshin playing and was often invited to perform at other village’s jamborees. Successive authorities attempted to ban the mo-ashibi, these unruly gatherings were thought to be immoral, but they flourished until just before the second world war. In the pre-war years there are stories of parents encouraging their children to take part in the mo-ashibi every night, in the hope they would fail the medical for military conscription due to exhaustion. After the war, and the US occupation, the mo-ashibi was outlawed for good. Kadekaru stayed on the islands of Saipan and Tinian returning to Okinawa in 1949. His reputation had not been forgotten and he became one of the pivotal figures in the post-war Okinawa folk boom. He recorded nearly 250 songs for local record labels, more than any other musician. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
かいされー
時代の流れ
下千鳥
白雲節
ナークニー
仲島節
南洋小唄
国頭大福
国頭ジントーヨー
唐船ドーイ
意見あやぐ
ラッパ節
白保節
スーキカンナー
海ぬチンボーラ
島尻口説
挽物口説
舞方
世宝節
海のチンボーラ~赤山
廃藩ぬ武士
金細工
松やっちー
姫百合の歌
恋語れー
県道節
海ぬチンボーラー~赤山
汗水節
なーくにー~山原汀間当
多良間ションカネー
恋語れ
真心ぬ花
西武門節
ハリクヤマク
海のチンボーラ
ちかひな口説
早口説
恨みの唄
エイサー
廃藩の武士
廃藩ぬさむれー
三月遊び(流り舟)
カイサレー
束辺名口説
ヒンスー尾類小
唐船どーい
はんた原
早口説(はやくどち)
前田(めんたー)節
しゅうらー節
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