lost sounds
Electronic music from Russia has, for the most part, been criminally overlooked in the rest of the world, but that seems to be changing. The past few years have seen a new wave of Russian producers whose music resonates beyond their country's borders, the most intriguing of which might be Pavel Milyakov, a multidisciplinary artist who makes records as Buttechno. Milyakov became a musician sometime around 2010 when he played in the punk band Midnite Cobras. From there, he founded Johns Kingdom, a community of electronic artists from the suburbs of Russia. After some time I understood that I wanted to write music 24/7, he wrote in an essay for INRUSSIA. Since then, he's forged a musical language as open-ended as it is distinct, drifting from fierce techno and electro to ambient breaks and guitar drones. His music has appeared on labels like The Trilogy Tapes and Moscow's GOST ZVUK, and soundtracked runway shows by the Russian fashion designer Gosha Rubchinskiy. Milyakov's musical influences are eclectic—by his telling, they range from Japanese noise to musique concrete to psychedelic rockers Spacemen 3. Naturally, though, he has a special appreciation for the Russian techno artists who came before him. RA.631 is an introduction to this overlooked lineage. In Milyakov's own words: It represents the history of Russian techno, like from '95 till now, with old and new sick and unknown producers, very talented and unappreciated musicians. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Electronic music from Russia has, for the most part, been criminally overlooked in the rest of the world, but that seems to be changing. The past few years have seen a new wave of Russian producers whose music resonates beyond their country's borders, the most intriguing of which might be Pavel Milyakov, a multidisciplinary artist who makes records as Buttechno. Milyakov became a musician sometime around 2010 when he played in the punk band Midnite Cobras. From there, he founded Johns Kingdom, a community of electronic artists from the suburbs of Russia. After some time I understood that I wanted to write music 24/7, he wrote in an essay for INRUSSIA. Since then, he's forged a musical language as open-ended as it is distinct, drifting from fierce techno and electro to ambient breaks and guitar drones. His music has appeared on labels like The Trilogy Tapes and Moscow's GOST ZVUK, and soundtracked runway shows by the Russian fashion designer Gosha Rubchinskiy. Milyakov's musical influences are eclectic—by his telling, they range from Japanese noise to musique concrete to psychedelic rockers Spacemen 3. Naturally, though, he has a special appreciation for the Russian techno artists who came before him. RA.631 is an introduction to this overlooked lineage. In Milyakov's own words: It represents the history of Russian techno, like from '95 till now, with old and new sick and unknown producers, very talented and unappreciated musicians. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
In Your Head
Dubber Funk
east
dnb jan
pkds
my hair funk
p-l
tr-919
silent e
BBBASE
Orient Acd
ent-22
silence 2
angel's break
memory IV 140-160
606 juno
j become
disko June
ferenz-18
rassvet
xtc kicked in
Big D Acid
tech march
new dnb
rostokino acid
wb movement
rokton
K4
goldbaby
Metallo
h9s
Poleva
U.D.U.
m
Rz Bass
Dub Hole Funkin
Super Siziy King
Cxema
bass
nuttech
Mr Heroin
yalta digger
green
electric
Styx Vol 3
dungeon 5
ambian august
back 2 the E
zov echo
untitled h
label_stop_radio
