Zeleni kader
featuring Teta Liza (Elizabeta Toplek, 16.11.1924. - 12.08.2017.) Read more on Last.fm.
Music is the principal medium through which Cinkuši express their ideas and outlooks on the world surrounding them. The main fundament they use is an abundance of rich Croatian folklore treasury, and above all musical tradition of the kajkavian spoken region into which they interpolate their authorial approach and literally paragons, even clichés that evoke collective emotionality. Tihomir Kruhonja ( double bass ) Mirko Radusic ( acc.guitar ) Igor Baric ( violin ) Nebojsa Stijacic ( electric guitar ) Natalia B. Radusic ( mandolin ) Marko Mestrovic ( drums, percussion ) - in tradition of the kajkavian region, ‘’cinkuš’’ denotes a bell that accompanies people from the day they are born until the day they die. It awakes them, alerts them, signals, rings for alarm; it is a wedding bell as well as a golgoth one. Thanks to enormous vigour, sincerity and immediacy present in this company since it was formed during the mid nineties, Cinkuši managed to endure regardless if the ever-changing trends. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
featuring Teta Liza (Elizabeta Toplek, 16.11.1924. - 12.08.2017.) Read more on Last.fm.
Music is the principal medium through which Cinkuši express their ideas and outlooks on the world surrounding them. The main fundament they use is an abundance of rich Croatian folklore treasury, and above all musical tradition of the kajkavian spoken region into which they interpolate their authorial approach and literally paragons, even clichés that evoke collective emotionality. Tihomir Kruhonja ( double bass ) Mirko Radusic ( acc.guitar ) Igor Baric ( violin ) Nebojsa Stijacic ( electric guitar ) Natalia B. Radusic ( mandolin ) Marko Mestrovic ( drums, percussion ) - in tradition of the kajkavian region, ‘’cinkuš’’ denotes a bell that accompanies people from the day they are born until the day they die. It awakes them, alerts them, signals, rings for alarm; it is a wedding bell as well as a golgoth one. Thanks to enormous vigour, sincerity and immediacy present in this company since it was formed during the mid nineties, Cinkuši managed to endure regardless if the ever-changing trends. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Adiafa
aeseaes
Agridoce
Alborada
Pet Je Kumi
raca
Bratec kosi
Grad Se Beli
Navigare necesse est
U divljaka luk i strijela
Huja brija
Ciganjska
Vuprem oči
babilonska
Trava Detela
Recept
Domesticus vulgaris
Nega Sonca Nit' Meseca
Dolinom se šetala
Picek
Stari Pjer
Bela
Oj Krapinske Vuske Staze
Medo
Bizarna
Prolog
Sedi si kraj mene
Primem pero
Kaderaški Drmeš
Međimurje
Nenadejano bogčije zveličenje
Kak' je Štef videl Majku Božju
Neka cijeli svijet
Tebe Lepo Ja Pozdravljam
Meknite se si gore
Jankič
Nega sonca nit meseca
Vuprem Oci
Deca Moja Deca
Oj, mladosti moja
Tiček
Kaderaski Drmes
Pet Je Kumi (Croatia)
Oj, Krapinske vuske staze
Baba
Die Kuh Im Nussbaum
kak je štef videl majku božju
Meknite Se Gore
Tebe lepo ja pozdravlam
Komu Majka Beli Kolač Pečeš
Da Bi Imel Perje
U divljaka luk i strela
Ulica Birtija Država Istina
Mizerere Tebi, Jeruzalem
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