label_stop_radio
flows/flaws 1
born in 1948 in Ankara studied painting in Istanbul and worked as an assistant to Osman Pasa for 3 years moved to Van in 1978 in order to study medicine and started to make experiments with electronic sound left for Mongolia to serve as a doctor Replaced his electronic sounds with human voices and founded the “Mid-Asian Acoustic Ensemble for the Future of As Sound and Cyrillic Alphabet” Attended Kirgiz Öz Konzervatuyar and studied comparative composition During the 90s MAAEFTFOASACA traveled between Hungary and India to give spontaneous concerts which are then compiled in CDs that are released only in Azerbaycan and Japan MAAEFTFOASACA is abolished during the Afghan war and C. Aksakal moved to Bretagne in 2002 Influenced by the high-tech French culture, C. Aksakal started to use audio softwares through computers and released tracks from Audiobulb Records under the name Disastrato Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
born in 1948 in Ankara studied painting in Istanbul and worked as an assistant to Osman Pasa for 3 years moved to Van in 1978 in order to study medicine and started to make experiments with electronic sound left for Mongolia to serve as a doctor Replaced his electronic sounds with human voices and founded the “Mid-Asian Acoustic Ensemble for the Future of As Sound and Cyrillic Alphabet” Attended Kirgiz Öz Konzervatuyar and studied comparative composition During the 90s MAAEFTFOASACA traveled between Hungary and India to give spontaneous concerts which are then compiled in CDs that are released only in Azerbaycan and Japan MAAEFTFOASACA is abolished during the Afghan war and C. Aksakal moved to Bretagne in 2002 Influenced by the high-tech French culture, C. Aksakal started to use audio softwares through computers and released tracks from Audiobulb Records under the name Disastrato Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Requiem Pour Une Feuille Morte
Requiem Pour une Peuille Mort
C (Ch) Oaipba, Koa, C (Ch) (S Am)
12-6-1985
Canc(el)er
2 Orgasms Before Each Suicide
part3 - a pointless point in time - intro for an audiobook
zapping air shapes
seni seviyorum
fresh remarks (oha)
Frusques-naylon
C(ch)oaipba, Koa, C(ch) (s+am)
tasting duchamp
prenses
give up
finest art for the vain grandchildren of the vicomtes
criiiiiiiiiiiiiiiiit (glacier de galas)
so sade (minik kediler)
uyku (dodo)
another nightmare for herr taner
une vague dressée at neitherlands
espèce d'idiot (sigmoidoscope)
(ch)oaipba,koa,c(ch)(s+am) (Audiobulb Records (Various Artists))
(ch)oaipba,koa,c(ch)(s+am)
2 Orgasms Before Each Suiside
0011-2 conversation
0007-4 tek
weirdo scripto 2
How to Make Beats (Room's Pot-Pourri) (Mix By Room)
vvvvvvvvvvvv
0009-1 - love and kisses
0011-5 can't you understand
Desirez Rien (After a Rice Kick)
Ship Arriving Too Late To Save A Drowning Bitch (normal)
2 Orgasms Before Each Suicide (Audiobulb Records (Various Artists))
0017-1
0008-2 - you can't live with this
0013 alaturka
ambiance (fellatio 4 mr.lacou-labarthe)
0006 - feedback - 3 - oh no he's a foreigner
seekable
Lull3
0016-1 guns and roses
0000-rosy 1
0006 - feedback - 2 - birds are machines, encore
nomad barbarians-attack-romans
couper_le _desert_d'emilie
it's your tongue that I have in my mouth
uykuzun
2 orgasms before each suicide + a deformed smile = ixtab
