Live In Stockholm
There are three artists on this page. (1) E.S.T. is a Russian heavy metal band, aka Electro Shock Therapy. (2) E.S.T. is a UK drum & bass on Hospital Records (3) E.S.T. is short for Esbjörn Svensson Trio, a Scandinavian jazz trio. (3) Pianist and composer Esbjörn Svensson looms among the most influential and innovative figures in contemporary jazz, drawing on inspirations spanning from Baroque to techno to create a body of work that earned both commercial and critical approval. Svensson was born in Västeras, Sweden, on April 16, 1964 -- his mother was a classical pianist and his father a die-hard jazz buff, but in spite of his classical training he first gravitated toward pop, playing in a series of amateur rock & roll bands alongside high-school classmate and drummer Magnus Öström. After studying music at Stockholm's Kungliga Musikhögskolan, Svensson worked as a session player, and in 1985 formed a bop-inspired duo with drummer Fredrik Norén. In 1993, he reconnected with Öström, and together with bassist Dan Berglund they formed the Esbjörn Svensson Trio, which would become universally known by the acronym E.S.T. Although the group's debut LP, When Everyone Has Gone, earned scant attention, the trio quickly emerged as a fixture of the Swedish festival circuit in addition to backing singers including Viktoria Tolstoy and Louise Hoffsten -- while Svensson's piano balanced the structural complexity of his classical background with the improvisational daring of postwar influences like Bill Evans and Keith Jarrett, Öström's powerhouse drumming channeled more mainstream influences like rock and funk, and in time E.S.T. earned a fan following that extended far beyond the confines of the conventional jazz cognoscenti. With 1996's Esbjörn Svensson Trio Plays Monk, critics roundly applauded Svensson's fearless interpretive sensibilities. A year later, the intimate Winter in Venice earned the trio the Swedish Grammy for Best Jazz Album, and for 1999's From Gagarin's Point of View the band signed an international licensing deal with German label ACT, for the first time winning significant notice outside of Scandinavia. By the 2002 release of Strange Place for Snow, E.S.T. were firmly established as Europe's most popular jazz group, regularly headlining large concert halls across the Continent. They also played dozens of pop music festivals, incorporating film projections, lighting, and set design into their stage act to further shatter genre preconceptions. In conjunction with the 2003 LP Seven Days of Falling, E.S.T. won the International Artist Award at the BBC Jazz Awards, and following the 2006 release of Tuesday Wonderland, the trio was the first European act ever to adorn the cover of the venerable American jazz magazine Down Beat. In early 2008, E.S.T. reconvened in the studio to record Leucocyte, a project integrating electronic and processed sounds within the jazz trio format. With the album completed, Svensson went scuba diving off the coast of the Swedish island community Ingarö -- on June 14, 2008, his companions found him lying unconscious on the seabed, and although his body was rushed by helicopter to Karolinska University Hospital, attempts at resuscitation proved unsuccessful. Svensson was just 44 years old. ~ Jason Ankeny, Rovi Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
There are three artists on this page. (1) E.S.T. is a Russian heavy metal band, aka Electro Shock Therapy. (2) E.S.T. is a UK drum & bass on Hospital Records (3) E.S.T. is short for Esbjörn Svensson Trio, a Scandinavian jazz trio. (3) Pianist and composer Esbjörn Svensson looms among the most influential and innovative figures in contemporary jazz, drawing on inspirations spanning from Baroque to techno to create a body of work that earned both commercial and critical approval. Svensson was born in Västeras, Sweden, on April 16, 1964 -- his mother was a classical pianist and his father a die-hard jazz buff, but in spite of his classical training he first gravitated toward pop, playing in a series of amateur rock & roll bands alongside high-school classmate and drummer Magnus Öström. After studying music at Stockholm's Kungliga Musikhögskolan, Svensson worked as a session player, and in 1985 formed a bop-inspired duo with drummer Fredrik Norén. In 1993, he reconnected with Öström, and together with bassist Dan Berglund they formed the Esbjörn Svensson Trio, which would become universally known by the acronym E.S.T. Although the group's debut LP, When Everyone Has Gone, earned scant attention, the trio quickly emerged as a fixture of the Swedish festival circuit in addition to backing singers including Viktoria Tolstoy and Louise Hoffsten -- while Svensson's piano balanced the structural complexity of his classical background with the improvisational daring of postwar influences like Bill Evans and Keith Jarrett, Öström's powerhouse drumming channeled more mainstream influences like rock and funk, and in time E.S.T. earned a fan following that extended far beyond the confines of the conventional jazz cognoscenti. With 1996's Esbjörn Svensson Trio Plays Monk, critics roundly applauded Svensson's fearless interpretive sensibilities. A year later, the intimate Winter in Venice earned the trio the Swedish Grammy for Best Jazz Album, and for 1999's From Gagarin's Point of View the band signed an international licensing deal with German label ACT, for the first time winning significant notice outside of Scandinavia. By the 2002 release of Strange Place for Snow, E.S.T. were firmly established as Europe's most popular jazz group, regularly headlining large concert halls across the Continent. They also played dozens of pop music festivals, incorporating film projections, lighting, and set design into their stage act to further shatter genre preconceptions. In conjunction with the 2003 LP Seven Days of Falling, E.S.T. won the International Artist Award at the BBC Jazz Awards, and following the 2006 release of Tuesday Wonderland, the trio was the first European act ever to adorn the cover of the venerable American jazz magazine Down Beat. In early 2008, E.S.T. reconvened in the studio to record Leucocyte, a project integrating electronic and processed sounds within the jazz trio format. With the album completed, Svensson went scuba diving off the coast of the Swedish island community Ingarö -- on June 14, 2008, his companions found him lying unconscious on the seabed, and although his body was rushed by helicopter to Karolinska University Hospital, attempts at resuscitation proved unsuccessful. Svensson was just 44 years old. ~ Jason Ankeny, Rovi Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
44MAGNUM
Aaronsrod
Accept
Adamantivm
Seven Days Of Falling
Tuesday Wonderland
Ballad For The Unborn
Elevation Of Love
Mingle in the Mincing-Machine
In My Garage
Believe Beleft Below
Goldwrap
Evening in atlantis
Where We Used To Live
From Gagarin's Point of View
Viaticum
Eighty-eight days in my veins
The Goldhearted Miner
The well-wisher
Dolores In A Shoestand
Tide of trepidation
Behind The Yashmak
Decade
Eighthundred Streets By Feet
Sipping On The Solid Ground
A picture of doris travelling with boris
Bound For The Beauty Of The South
Strange Place For Snow
In The Tail Of Her Eye
Serenade For The Renegade
O.D.R.I.P.
Jazz
Ajar
Fading Maid Preludium
Dodge The Dodo
Why She Couldn't Come
Believe, Beleft, Below
Still
Brewery Of Beggars
Moscow Outskirts
The Message
Spam-Boo-Limbo
Beggar's Blanket
Bully
What Though the Way May Be Long
Somewhere Else Before
Did They Ever Tell Cousteau?
When God Created The Coffeebreak
definition of a dog
The Rube Thing
Years Of Yearning
Scrutiny
The Chapel
Сука
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