And the Children of the Great Northern Muskeg
Calgary-based Ghostkeeper produces raw and electrifying music. A colourful patchwork of heartfelt, outsider blues and noisy pop, perhaps their music can be best understood through the distinctive Northern Alberta origins of Shane Ghostkeeper (vocals, guitar) and Sarah Houle (drums, vocals). Shane & Sarah spent their adolescence isolated by Northern Alberta's geography, listening to folk and blues records, slowly developing an admiration for individuals that had the ability to convey rich stories through song. When they later expanded their musical horizons beyond these roots, they found another world in the self-aware discordance of Pavement and the raw appeal of The Make Up. Here, they developed their own storytelling language with which Shane could voice the traditional songwriting he grew up with and Sarah could provide skewed drum patterns as a backdrop. The addition of Jay Crocker (guitar, vocals) and Scott Munro (bass, vocals), fleshed out the skeletons of Shane's songs into the extraordinary marriage of noisy blues and pop sensibility that became the band Ghostkeeper. While traditional influences remain at the very core of Shane's songwriting, a healthy irreverence towards standard song structure and an idiosyncratic storytelling voice results in something undeniably Ghostkeeper. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Calgary-based Ghostkeeper produces raw and electrifying music. A colourful patchwork of heartfelt, outsider blues and noisy pop, perhaps their music can be best understood through the distinctive Northern Alberta origins of Shane Ghostkeeper (vocals, guitar) and Sarah Houle (drums, vocals). Shane & Sarah spent their adolescence isolated by Northern Alberta's geography, listening to folk and blues records, slowly developing an admiration for individuals that had the ability to convey rich stories through song. When they later expanded their musical horizons beyond these roots, they found another world in the self-aware discordance of Pavement and the raw appeal of The Make Up. Here, they developed their own storytelling language with which Shane could voice the traditional songwriting he grew up with and Sarah could provide skewed drum patterns as a backdrop. The addition of Jay Crocker (guitar, vocals) and Scott Munro (bass, vocals), fleshed out the skeletons of Shane's songs into the extraordinary marriage of noisy blues and pop sensibility that became the band Ghostkeeper. While traditional influences remain at the very core of Shane's songwriting, a healthy irreverence towards standard song structure and an idiosyncratic storytelling voice results in something undeniably Ghostkeeper. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
1986
Abay
ActionReaction
By Morning
Mr. No Show
Don't Come Knocking
Tea and Cree Talking
Haunted
Like Moose Do
Metis Running
Well, Well, Well
Baby Girl
Spring Fever
Piggy Backin' (Do Cost You No Money)
Three More Springs
Horse Chief! War Thief!
Cruisin the Chev
Luella
Afternoon Girl
Lady of the Sky
Skippin Church
Golden
Solid Gold
From the Muskeg
The Indians
Doo Wop
The Trees
The Introduction
Grassy Plains
Rolly
...And Our Hurtful Games Shall Come To a Truce
Walking a Hundred
Summer Child
Turn up the Heat
The Boxes and the Bottles
Gospel Slinger
Finn
This Is How I Know You
Storm Chaser
Lipstick
Six
The Children
Ancestral
Ghost on A Rope
Till The Days That We Are Old
Tropical Metis
Raven
Piggybackin' (Do Cost You No Money)
Sleep Dream
Astum Ota
Mr No-Show
Dandelion
Phantom
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