Anomalous Abstractigate Infinitessimus
The brainchild of left handed lead guitarist and founding member Eric Hersemann, GIGAN has been challenging the mortal laws of extreme music and creativity since early 2006. Forged in Tampa, Florida around the simple notion that the imagination should be art's only limit, GIGAN's style of creative delivery has simultaneously invoked reactions of amazement, disbelief, shock, awe and ultimately- respect. GIGAN's first official release was in January 2007 under the guise of the Footsteps of GIGAN ep. While originally recorded with the purpose of being a simple demo only, independent record label Index Entertainment thought so much of the recording that they signed GIGAN and released Foosteps of GIGAN upon the unsuspecting masses. Footsteps... captured the attentions of several major music magazines and websites that felt GIGAN was a force to be reckoned with and a new voice for a starving extreme music scene fraught with regurgitations and well marketed, logo metal. Regional headlining shows and opening slots for other national acts followed while Eric began completing the music and lyrics for what would eventually be GIGAN's first full length album: The Order of the False Eye. Shortly after the release of Footsteps... Napalm Records approached GIGAN with the intent of releasing whatever the band did next. Contracts were signed and GIGAN was added to the Napalm Records roster of international heavy metal bands. Napalm knew GIGAN was on the forefront of extreme music, but had no idea what to expect from this new beast of theirs... November 2007 saw GIGAN headed to Semaphore studios; in Eric's hometown of Chicago, IL, to work with longtime friend and ally Sanford Parker. Parker has been at the helm for several of modern metal's new masterpieces, and that expertise along with his history with Eric proved to be a excellent fit for the band. The Order of the False Eye became an incredible musical journey that saw the GIGAN sound expanding to fit a growing universe of detail and imagination. Combining elements of extreme metal, jazz, progressive and experimental industrial sounds with solid song structures and tinges of psychedelia-The Order of the False Eye was a veritable feast; and people responded to it with ravenous positivity! The Order of the False Eye was released in July of 2008 and the media attention was prevalent and overwhelmingly positive. Thanks in part to the hard work of Napalm Records, The Order of the False Eye was featured prominently in nearly every relevent music print magazine and website through both interviews with Eric and record reviews. Worldwide interest and curiosity saw GIGAN receiving positive attention from everywhere. Decibel Magazine questioned: has a new king returned to claim the extreme metal dementia throne?. Alternative Press magazine (AP) even featured GIGAN in their 100 bands you need to know list(a huge feat considering that mag's readership)! All that positive energy within the media and internet sparked a huge amount of touring opportunities for GIGAN... 2008-2010 saw GIGAN touring relentlessly in support of The Order of the False Eye with several high profile tours and over one hundred-plus shows. GIGAN has toured and shared the stage with Cattle Decapitation, Vital Remains, Misery Index, Psyopus, Lightning Swords of Death, Valdur, Book of Black Earth, SWWAATS, Threat Signal, Lecherous Nocturne, The Destro, Bleed The Sky, Enfold Darkness, Intronaut, Mouth of the Architect, Minsk, Zoroaster, Goatwhore and more! Early 2010 saw Eric beginning to finish off the first songs for GIGAN's incredible second opus...Quasi-Hallucinogenic Sonic Landscapes. Tapping the legendary extreme metal label Willowtip records for the worldwide release of Quasi-Hallucinogenic Sonic Landscapes, GIGAN will certainly be busy supporting what is now the current pinnacle of the GIGAN musical movement. GIGAN once again returned to Semaphore studios and Sanford Parker in November 2010 to record this new monster. The recording process was amazing and the results are plain to hear. Song titles like Mountains Perched Like Beasts Awaiting the Attack, Suspended in Cubes of Torment and Transmogrification Into Bio-Luminoid prove that the concepts on this album are reaching further and further into the GIGAN Universe. This release is also the first time GIGAN's music will be formatted to vinyl lp's as well as cd's! Thus, finally allowing the listener to fully appreciate the subtle, audible nuances of the GIGAN Universe! Featuring the same boundary-pushing musical and technical extremity, but also some new elements, instruments and approaches to delivery- Quasi-Hallucinogenic Sonic Landscapes will surprise and delight both original and new GIGAN devotees...and the legacy continues... There is also another artist named Gigan based in Germany. They made a pretty good synthpop album. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
The brainchild of left handed lead guitarist and founding member Eric Hersemann, GIGAN has been challenging the mortal laws of extreme music and creativity since early 2006. Forged in Tampa, Florida around the simple notion that the imagination should be art's only limit, GIGAN's style of creative delivery has simultaneously invoked reactions of amazement, disbelief, shock, awe and ultimately- respect. GIGAN's first official release was in January 2007 under the guise of the Footsteps of GIGAN ep. While originally recorded with the purpose of being a simple demo only, independent record label Index Entertainment thought so much of the recording that they signed GIGAN and released Foosteps of GIGAN upon the unsuspecting masses. Footsteps... captured the attentions of several major music magazines and websites that felt GIGAN was a force to be reckoned with and a new voice for a starving extreme music scene fraught with regurgitations and well marketed, logo metal. Regional headlining shows and opening slots for other national acts followed while Eric began completing the music and lyrics for what would eventually be GIGAN's first full length album: The Order of the False Eye. Shortly after the release of Footsteps... Napalm Records approached GIGAN with the intent of releasing whatever the band did next. Contracts were signed and GIGAN was added to the Napalm Records roster of international heavy metal bands. Napalm knew GIGAN was on the forefront of extreme music, but had no idea what to expect from this new beast of theirs... November 2007 saw GIGAN headed to Semaphore studios; in Eric's hometown of Chicago, IL, to work with longtime friend and ally Sanford Parker. Parker has been at the helm for several of modern metal's new masterpieces, and that expertise along with his history with Eric proved to be a excellent fit for the band. The Order of the False Eye became an incredible musical journey that saw the GIGAN sound expanding to fit a growing universe of detail and imagination. Combining elements of extreme metal, jazz, progressive and experimental industrial sounds with solid song structures and tinges of psychedelia-The Order of the False Eye was a veritable feast; and people responded to it with ravenous positivity! The Order of the False Eye was released in July of 2008 and the media attention was prevalent and overwhelmingly positive. Thanks in part to the hard work of Napalm Records, The Order of the False Eye was featured prominently in nearly every relevent music print magazine and website through both interviews with Eric and record reviews. Worldwide interest and curiosity saw GIGAN receiving positive attention from everywhere. Decibel Magazine questioned: has a new king returned to claim the extreme metal dementia throne?. Alternative Press magazine (AP) even featured GIGAN in their 100 bands you need to know list(a huge feat considering that mag's readership)! All that positive energy within the media and internet sparked a huge amount of touring opportunities for GIGAN... 2008-2010 saw GIGAN touring relentlessly in support of The Order of the False Eye with several high profile tours and over one hundred-plus shows. GIGAN has toured and shared the stage with Cattle Decapitation, Vital Remains, Misery Index, Psyopus, Lightning Swords of Death, Valdur, Book of Black Earth, SWWAATS, Threat Signal, Lecherous Nocturne, The Destro, Bleed The Sky, Enfold Darkness, Intronaut, Mouth of the Architect, Minsk, Zoroaster, Goatwhore and more! Early 2010 saw Eric beginning to finish off the first songs for GIGAN's incredible second opus...Quasi-Hallucinogenic Sonic Landscapes. Tapping the legendary extreme metal label Willowtip records for the worldwide release of Quasi-Hallucinogenic Sonic Landscapes, GIGAN will certainly be busy supporting what is now the current pinnacle of the GIGAN musical movement. GIGAN once again returned to Semaphore studios and Sanford Parker in November 2010 to record this new monster. The recording process was amazing and the results are plain to hear. Song titles like Mountains Perched Like Beasts Awaiting the Attack, Suspended in Cubes of Torment and Transmogrification Into Bio-Luminoid prove that the concepts on this album are reaching further and further into the GIGAN Universe. This release is also the first time GIGAN's music will be formatted to vinyl lp's as well as cd's! Thus, finally allowing the listener to fully appreciate the subtle, audible nuances of the GIGAN Universe! Featuring the same boundary-pushing musical and technical extremity, but also some new elements, instruments and approaches to delivery- Quasi-Hallucinogenic Sonic Landscapes will surprise and delight both original and new GIGAN devotees...and the legacy continues... There is also another artist named Gigan based in Germany. They made a pretty good synthpop album. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
!T.O.O.H.!
Abriosis
Acanthosis
Aethereus
Mountains Perched Like Beasts Awaiting The Attack
Ultra-Violet Shimmer and Permeating Infra-sound
Trans-Dimensional Crossing of the Alta-Tenuis
Suspended In Cubes Of Torment
Square Wave Subversion
The Raven And The Crow
Beneath the Sea of Tranquility
Transmogrification into Bio-Luminoid
Plume of Ink Within a Vacuum
Erratic Pulsitivity and Horror
Undead Auditory Emanations
Katabatic Windswept Landscapes
Emerging Sects of Dagonic Acolytes
Influence Through Ritualistic Projection
Vespelmadeen Terror
Occult Rites of the Uumpluuy
Electro-Stimulated Hallucinatory Response
The Strange Harvest of the Baganoids
Wade Forward Through Matter and Backwards Through Time
Elemental Transmography
Ominous Silhouettes Cast Across Gulfs of Time
Still Image Symphony
Mother of Toads
Chrysalis
Obsidian Sun
Hiding Behind the House of Mirrors
Space Coffin Hallucinations
Imprisoned Within Duality
Cosmic Triangular Communications
Ocular Wavelengths' Floral Obstructions
In the Tentacled Grasp of a Buried Behemoth
Gibbering Hordes of Zemiath
Interstellar Inversion of Consciousness
Bio-Engineered Molecular Abnormalities
Hideous Wailing of the Ronowen During Nightshade
Hyperjump-Ritual Madness
Skeletons Of Steel, Timber And Blackened Granite
Clockwork With Thunderous Hooves
Fathomless Echoes of Eternity's Imagination
In Between, Throughout Form and Void
Within the Tentacled Grasp of a Buried Behemoth
Skeletons of Steal, Timber, and Blackened Granit
The Fathomless Echoes of Eternities Imagination
CRIME SCENE PHOTOS
STEEL THROUGH BONE
Untitled
GAT
THE HOUNDS OF ZAROFF
Live Wirez
SEEING TRIPLE
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