Nightmares On Wax presents WAX ON records vol. 2
1984 on Halloween night and a 4 year-old Kurtis is ready to put on his Go-Bots costume. After exiting the McDonalds drive-in in his father’s Blue Chevet, happy meal in hand, his father turns to him with a grin, “Hey Kurtis, I have something you’re gonna love.” He pops a cassette into the tape player. As Kurtis eyes the illustration and lettering on the cassette cover, his father shares the title of the album, “Who’s Afraid of the Art of Noise”. The tracks are filled with haunting samples of machinery, vocals and distortions that are heavily manipulated and transformed into melodies over “Boom Bap” percussions. The song sounds like a garage with power tools creating music. Kurtis’s mind ventures through realms he’s never before experienced. His heart races with excitement, and a new kind of energy. He clasps the empty cassette case even harder. His father smiles and looks straight ahead, paying attention to the road home “This is The Art of Noise”, he states. Kurtis Hairston was in no way afraid of the art of noise. In fact, he embraced it. He held it tightly, close to his heart and it became the basis behind his love of electronic music. In 2003 Kurtis packed his bags and his musical gear to pursue his music career in Brooklyn, New York City. One summer day he ventured to the Gowanus Yacht Club, a local beer garden in Brooklyn. It was filled with punks, underground hiphoppers, indie kids, and artsy Brooklynites and served cheap food and even cheaper beer. It was there that he explained to his friend Christopher, “I need a new name. I’m tired of thinking up “cool” names that try to explain who I am as a musician. I just want to call myself Kurtis.” Christopher agreed and said, “Why not just make it K-R-T-S? That way it’s catchy, but it’s still Kurtis.” Kurtis smiled, downed his Brooklyn Lager Beer, shook Christopher’s hand and said, “Hell yeah bro. I can dig that.” Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
1984 on Halloween night and a 4 year-old Kurtis is ready to put on his Go-Bots costume. After exiting the McDonalds drive-in in his father’s Blue Chevet, happy meal in hand, his father turns to him with a grin, “Hey Kurtis, I have something you’re gonna love.” He pops a cassette into the tape player. As Kurtis eyes the illustration and lettering on the cassette cover, his father shares the title of the album, “Who’s Afraid of the Art of Noise”. The tracks are filled with haunting samples of machinery, vocals and distortions that are heavily manipulated and transformed into melodies over “Boom Bap” percussions. The song sounds like a garage with power tools creating music. Kurtis’s mind ventures through realms he’s never before experienced. His heart races with excitement, and a new kind of energy. He clasps the empty cassette case even harder. His father smiles and looks straight ahead, paying attention to the road home “This is The Art of Noise”, he states. Kurtis Hairston was in no way afraid of the art of noise. In fact, he embraced it. He held it tightly, close to his heart and it became the basis behind his love of electronic music. In 2003 Kurtis packed his bags and his musical gear to pursue his music career in Brooklyn, New York City. One summer day he ventured to the Gowanus Yacht Club, a local beer garden in Brooklyn. It was filled with punks, underground hiphoppers, indie kids, and artsy Brooklynites and served cheap food and even cheaper beer. It was there that he explained to his friend Christopher, “I need a new name. I’m tired of thinking up “cool” names that try to explain who I am as a musician. I just want to call myself Kurtis.” Christopher agreed and said, “Why not just make it K-R-T-S? That way it’s catchy, but it’s still Kurtis.” Kurtis smiled, downed his Brooklyn Lager Beer, shook Christopher’s hand and said, “Hell yeah bro. I can dig that.” Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Hold On
White Privilege
Heartache
Bonehead
Rooftop
Love or Logic
Berlin Girls
The Dread of an Unknown Evil
Whatever
Ghosts
Close the Closet Door
Fire
Don't Need Your Love
Doran Penny Roller
Regret to Retreat
Was She Worth It
Knuckle Under
Odd Fish
Reizenstein
Strange Boys in Blue
It Starts Somewhere
Foreign Land
Something New
Hold on (Glenn Astro Remix)
Sunrise over Warschauer
Sealed (Intro)
Doran Penny Roller (Original Mix)
This May Be Home
Outside Your Arms
Convict The Butchers
Nothing Grows in Red Soil
Hold On - Glenn Astro Remix
We're Still Climbing
Your Eyes
When We Fall feat. Graciela Maria - Krts Remix
In Your Head
Come To This
Hold On (Pavel Dovgal Remix)
Light Of The Harvest
Marriage Is Between Lovers
Dogs Of B.A.
Breathe With Me
If This Was Your Child
Sunrise Over Warschauer (Sieren Remix)
Breathe With Me featuring Charles Larson
Sunrise over Warschauer - Sieren Remix
Serve and Protect
Close The Closet Door (Sieren Remix)
Something New featuring Jon Hairston
A Tribe Called Quest - Once Again (Krts Housed Disko Remix)
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