Una notte in ballo
70 strings, no bellows, and a lot of energy! Have you ever danced a mazurka played by a bowed psaltery? Have you ever got involved in a harp-played bourrée? If you never lived such a mystical experience you should absolutely come across LyraDanz! LyraDanz arises from the idea of three musicians, already well-known in the Celtic and bal folk music scene, who share the passion for folk music and experiment inusual instruments in the traditional folk repertoire. A harp that unexpectedly detaches from the conception of a melodic and airy instrument and discloses a “mediterranean” soul, rhythmical and playful. A bowed psaltery, almost never used in the bal folk genre and generally tied up with the ancient music domain, here played in a modern way and pushed to the limits of its melodic and vistuosistic potentialities. A guitar ranging from the manouche to the rumba styles, from flamenco to jazz, that becomes the driving instrument to experimentation. A fresh, innovative and sparkling project, that explores the French, Occitan, Breton, Basque bal folk repertoire along with original compositions. LyraDanz is a musical project based on a bal folk repertoire, both traditional and original, played with some inusual instruments in the bal folk scene, such the popular harp and the bowed psaltery, and with an innovative approach to the arrangements. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
70 strings, no bellows, and a lot of energy! Have you ever danced a mazurka played by a bowed psaltery? Have you ever got involved in a harp-played bourrée? If you never lived such a mystical experience you should absolutely come across LyraDanz! LyraDanz arises from the idea of three musicians, already well-known in the Celtic and bal folk music scene, who share the passion for folk music and experiment inusual instruments in the traditional folk repertoire. A harp that unexpectedly detaches from the conception of a melodic and airy instrument and discloses a “mediterranean” soul, rhythmical and playful. A bowed psaltery, almost never used in the bal folk genre and generally tied up with the ancient music domain, here played in a modern way and pushed to the limits of its melodic and vistuosistic potentialities. A guitar ranging from the manouche to the rumba styles, from flamenco to jazz, that becomes the driving instrument to experimentation. A fresh, innovative and sparkling project, that explores the French, Occitan, Breton, Basque bal folk repertoire along with original compositions. LyraDanz is a musical project based on a bal folk repertoire, both traditional and original, played with some inusual instruments in the bal folk scene, such the popular harp and the bowed psaltery, and with an innovative approach to the arrangements. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Abscondo
Accordzéâm
Adas
Adiafa
Croissant Bourrée
Rondeau dei Marinai
Dans le Train
Men at Work
Ambarabaccicciccongo
Ticket Restaurant
Daydreamer
Abbraccio Di Sale
Dramma Allo Specchio
L'ora Delle Ombre
I Tram Di Milano
Meditation
Aperitivo Cubano
Tavola Rotonda - Conversations
Seconda Serata
Gerri scottish
Toast Al C'hott
Fuga da Camera
Un Sonnambulo in Discoteca
Sur le Chemin du Retour
Un Salto Nel Vuoto - Desgarbuglies!
Chimère
Sui Sogni E Sulla Libertà
Radiosveglia
Ont es la mar?
Giramondo
Carillon
Giostra del tempo
Carneval
Di nuovo l'Estate
Il riscatto
Dune a specchio
Dramma allo specchio (Scottish)
Gigo della Val di Lipsia
Dans le train (Mazurka)
Ticket Restaurant (Chapelloise)
Il re dov'è
L'ora Delle Ombre (Rigodon)
Radiosveglia (Ridèe 6 Temps)
Abbraccio Di Sale (Mazurka)
Rondeau dei marinai (Rondeau en couple)
Daydreamer (Mazurka)
Sui sogni e sulla liberta
Fuga Da Camera (Polska)
Sui Sogni E Sulla Libertà (Bourrèe à 3 Temps)
Ambarabaccicciccongo (Congo De Captieux)
Seconda Serata (Gavotte De L'Aven)
Gerri Scottish (Scottish)
I Tram Di Milano (Valse à 3 Temps)
Toast Ar C'Hott (Kost Ar C'Hoad)
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