Movies, Cars & Heartbreak – Heartbreak Edition
Growing up in the forests of Norway’s Hallingdal Valley, 24 year-old Monika Engeseth nursed the dream – or rather, the conviction – that she’d one day be creating music. But she couldn’t have predicted the intense, electronic landscapes she’d create for her debut EP: after just a few months working in the engine room of music production, the young artist has emerged as a one-woman pop factory. She wrote her first song at just ten, inspired by the loss of a friend who was moving away, and the theme of saying goodbye – with its heady mix of pain, confusion and eventual resolution – remains a rich subject for this suite of robust, endlessly melodic pop songs. Two and a half years ago, enrolling on a music production degree in Bergen, Moyka “dived into the synth world”. She was in school from the moment it opened, to the moment it closed, covering herself in the complex electronic landscapes of Röyksopp, Highasakite and AURORA; Robyn, alt-J and Son Lux. Working with Cubase and soft synths and samples, she learned how to create, blow by blow, “my own, mystical, synth-driven universe”. Moyka is a contradiction: a private person who writes confessional music. For anyone who wants to know who she is, it’s all there in the songs – mysterious, magical, but accessible too. “I want to create a mystical universe,” she reaffirms, “where people can feel at home.” Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Growing up in the forests of Norway’s Hallingdal Valley, 24 year-old Monika Engeseth nursed the dream – or rather, the conviction – that she’d one day be creating music. But she couldn’t have predicted the intense, electronic landscapes she’d create for her debut EP: after just a few months working in the engine room of music production, the young artist has emerged as a one-woman pop factory. She wrote her first song at just ten, inspired by the loss of a friend who was moving away, and the theme of saying goodbye – with its heady mix of pain, confusion and eventual resolution – remains a rich subject for this suite of robust, endlessly melodic pop songs. Two and a half years ago, enrolling on a music production degree in Bergen, Moyka “dived into the synth world”. She was in school from the moment it opened, to the moment it closed, covering herself in the complex electronic landscapes of Röyksopp, Highasakite and AURORA; Robyn, alt-J and Son Lux. Working with Cubase and soft synths and samples, she learned how to create, blow by blow, “my own, mystical, synth-driven universe”. Moyka is a contradiction: a private person who writes confessional music. For anyone who wants to know who she is, it’s all there in the songs – mysterious, magical, but accessible too. “I want to create a mystical universe,” she reaffirms, “where people can feel at home.” Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Ride
Rear View
As Long As You’re Here - Young Royals Remix
Illusion
Colder
All The Things We Forgot - Acoustic
Perfect Movie Scene
Action
Stay
Bones
Let Me Know
As Long As You're Here
Backwards
I Don't Wanna Hold On
Already Gone
Spaces
Never Say Sorry
Violet
All The Things We Forgot
When
Don't Turn Around
Lonely
Circles
Nobody
Kanazawa (Maybe We Don't Have To Go There)
December (I Never Learn)
Are You with Me?
All The Things We Forgot (Acoustic)
Would You Be Mine?
The End
Never Say Sorry – Heartbreak Edition
Brokenhearted
You & I
Intro
I Don't Wanna Hold On - Demo
Backwards - Acoustic
Colder - Acoustic
Kanazawa (Maybe We Don't Have To Go There) - Acoustic
Ride - Acoustic
Spaces - EvenS Remix
Bones - Acoustic
Rear View – Heartbreak Edition
Already Gone – Heartbreak Edition
Bones - Couros Remix
Bones (Acoustic)
Ride (Acoustic)
All The Things We Forgot - The Golden Boy Remix
As Long As You’re Here (Young Royals Remix)
All The Things We Forgot - The Golden Boy Remix / Radio Edit
Would You Be Mine
label_stop_radio
