The World We Left Behind
This is the final track on the final Nachtmystium album. It is frequently referred to as beautiful by listeners and is extremely rare (if not exceptional) in black metal music for having the voice of a female singer - Karla Murphy (https://twitter.com/Kmeezy06) - singing in a contemporary, jazz style. The majority of other cases of female vocalists in extreme metal are either folk, operatic or typical harsh metal vocal styles. Read more on Last.fm.
Nachtmystium is an American black metal band formed by Blake Judd, formerly known as Azentrius, and Pat McCormick. The band's name is derived from the German word Nacht meaning night, and the made-up term mystium which resembles the Latin adjective mysticum. Judd and McCormick combined the words to create the band's name, which they state means Encompassing Darkness. Nachtmystium released multiple critically praised albums between 2005 and 2012, including Instinct: Decay (2005), Assassins: Black Meddle, Part I (2008), and Silencing Machine (2012). Controversy marred the band's success in 2013 when Judd was arrested for theft charges and publicly admitted he had a severe drug problem. After nearly four years of inactivity, Nachtmystium returned in 2017 and released a new EP, Resilient, in 2018. However the band would be disbanded in June 2020 by Blake after a lengthy final post on the official Facebook page. Nachtmystium's line-up has frequently changed since its formation. Furthermore, while the band originally started as a black metal band, and even toured with black metal acts such as Angelcorpse, Goatwhore and Watain, Judd has frequently stated that the band should not be considered black metal per se. In an interview with DEAF SPARROW Zine, Judd stated, What separates us from your average black metal band is that we're NOT a black metal band, we're a 'do-whatever-the-fuck-we-want' metal band and black metal happens to be what we build our foundation off of (in the case of Instinct: Decay and its predecessors), if you must categorize the rhythm sections of our music (rhythm guitars, bass and drums — the core of any album). J. Bennet of Decibel Magazine described the band's sound as Blackadelia. Jason Bracelin, of the Las Vegas Review-Journal, compared the band's latter work to Pink Floyd, claiming, [Assassins] is what happens when Pink goes black. Since the release of Assassins, the band has received additional press-coverage and attention from media outlets, including Metal Maniacs, Terrorizer, CMJ New Music Monthly, and Metalkult.com. Despite their departure from the black metal genre, Carlos Ramirez of IGN.com listed Assassins as one of the ten greatest black metal albums. Judd recruited Chris Black to produce Nachtmystium's later albums and compose lyrics. Black's themes and lyrics from Addicts: Black Meddle, Part II were inspired by Judd's heroin addiction. Judd assumed songwriting duties for Nachtmystium's final studio album, The World We Left Behind, and included many lyrics about his personal struggles with addiction. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
This is the final track on the final Nachtmystium album. It is frequently referred to as beautiful by listeners and is extremely rare (if not exceptional) in black metal music for having the voice of a female singer - Karla Murphy (https://twitter.com/Kmeezy06) - singing in a contemporary, jazz style. The majority of other cases of female vocalists in extreme metal are either folk, operatic or typical harsh metal vocal styles. Read more on Last.fm.
Nachtmystium is an American black metal band formed by Blake Judd, formerly known as Azentrius, and Pat McCormick. The band's name is derived from the German word Nacht meaning night, and the made-up term mystium which resembles the Latin adjective mysticum. Judd and McCormick combined the words to create the band's name, which they state means Encompassing Darkness. Nachtmystium released multiple critically praised albums between 2005 and 2012, including Instinct: Decay (2005), Assassins: Black Meddle, Part I (2008), and Silencing Machine (2012). Controversy marred the band's success in 2013 when Judd was arrested for theft charges and publicly admitted he had a severe drug problem. After nearly four years of inactivity, Nachtmystium returned in 2017 and released a new EP, Resilient, in 2018. However the band would be disbanded in June 2020 by Blake after a lengthy final post on the official Facebook page. Nachtmystium's line-up has frequently changed since its formation. Furthermore, while the band originally started as a black metal band, and even toured with black metal acts such as Angelcorpse, Goatwhore and Watain, Judd has frequently stated that the band should not be considered black metal per se. In an interview with DEAF SPARROW Zine, Judd stated, What separates us from your average black metal band is that we're NOT a black metal band, we're a 'do-whatever-the-fuck-we-want' metal band and black metal happens to be what we build our foundation off of (in the case of Instinct: Decay and its predecessors), if you must categorize the rhythm sections of our music (rhythm guitars, bass and drums — the core of any album). J. Bennet of Decibel Magazine described the band's sound as Blackadelia. Jason Bracelin, of the Las Vegas Review-Journal, compared the band's latter work to Pink Floyd, claiming, [Assassins] is what happens when Pink goes black. Since the release of Assassins, the band has received additional press-coverage and attention from media outlets, including Metal Maniacs, Terrorizer, CMJ New Music Monthly, and Metalkult.com. Despite their departure from the black metal genre, Carlos Ramirez of IGN.com listed Assassins as one of the ten greatest black metal albums. Judd recruited Chris Black to produce Nachtmystium's later albums and compose lyrics. Black's themes and lyrics from Addicts: Black Meddle, Part II were inspired by Judd's heroin addiction. Judd assumed songwriting duties for Nachtmystium's final studio album, The World We Left Behind, and included many lyrics about his personal struggles with addiction. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Ghosts of Grace
Assassins
Your True Enemy
Away From The Light
Code Negative
One Of These Nights
Omnivore
Nightfall
High On Hate
No Funeral
A Seed for Suffering
Instinct
Addicts
Then Fires
Keep Them Open
Cry For Help
Every Last Drop
Chosen By No One
Silencing Machine
The End Is Eternal
Blood Trance Fusion
Circumvention
Eternal Ground
Dawn Over the Ruins of Jerusalem
Ruined Life Continuum
Abstract Nihilism
Here's To Hoping
And I Control You
Intro
Borrowed Hope and Broken Dreams
Intrusion
Seasick (Part 1: Drowned At Dusk)
Seasick (Part 2: Oceanborne)
Fireheart
Decay
I Wait In Hell
Silver Lanterns
Seasick (Part 3: Silent Sunrise)
The Lepers of Destitution
The Antichrist Messiah
Decimation, Annihilation
Epitaph for a Dying Star
Reduced to Ashes
Give Me the Grave
Voyager
These Rooms In Which We Weep
Solitary Voyage
Into the Endless Abyss
The Glorious Moment
Ashes to Ashes
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