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West Coast soft pop practitioners Papercuts are based around the skills of Jason Quever, a multi-instrumentalist and producer with a firm grasp on 50 years' worth of pop, whether it's indie, baroque, folk, or noise. Whether working alone (as on early albums like 2007's Can't Go Back) or with collaborators (as on 2011's album for Sub Pop, Fading Parade), Quever's trademark sound blends echoing guitars and full arrangements with melancholy melodies and his faded whisper of a voice. It's a template used by many, but Quever's skill (as evidenced by his busy slate of studio work with the likes of Luna and Beach House) vaults Papercuts past most of their contemporaries, even when tweaking the formula, as on 2018's shoegaze-inspired Parallel Universe Blues or 2021's Baxter's Bliss EP. Quever was brought up in a commune in Humboldt County, California. After both his parents' early deaths, he traveled alone up and down the West Coast before eventually settling in San Francisco. His musical career began when he used the apartment of a vacationing friend to record piano tracks for Cass McCombs' 2002 album, Not the Way. This was the start of a busy few years collaborating with others (like Casiotone for the Painfully Alone, the Skygreen Leopards, and Vetiver) while also starting up Papercuts. The first Papercuts album, Mockingbird, was released in 2004, then Can't Go Back followed in 2007. It was released on the Gnomonsong label, run by Devendra Banhart and Vetiver's Andy Cabic, and in support of that record, Papercuts toured throughout the U.S. with Grizzly Bear. Up to that point, Papercuts records were mainly solo Quever works recorded at his self-built Pan American home studio, but on 2009's You Can Have What You Want, Alex Scally of Beach House not only contributed bass, keyboards, and percussion, but also assisted with string arrangements and session engineering. The next Papercuts album took the collaborative spirit even further, with Quever using members of his live band (keyboardist David Enos, drummer Graham Hill, and bassist Frankie Koeller) as well as producer Thom Monahan to help record the road-tested songs. It was also the first Papercuts album to be recorded outside Pan American, as parts of it were tracked at the Hangar in Sacramento. It was also the band's Sub Pop debut, and the legendary label released the sprightly, more expansive Fading Parade in 2011. After this, Quever put the band on the back burner and focused more attention on producing other artists. A few notable albums he worked on at this point were Donovan Quinn's Honky Tonk Medusa, Dean Wareham's Emancipated Hearts, and Eux Autres' Sun Is Sunk. He had also been working on another Papercuts album during this time, recording at Pan American with occasional guests like Graham Hill and a small string section. The resulting Life Among the Savages was released in May of 2014 for new labels Easy Sound in the U.S. and Memphis Industries in the U.K. After a spot of touring, Quever again put the band on hold and moved behind the scenes to work on albums by the Mantles, Sugar Candy Mountain, Luna, and Beach House. He also moved from San Francisco to Los Angeles, dismantling his home studio in the process. The next Papercuts album was recorded at Palmetto Studios in L.A. with minimal outside help, and found Quever stripping back the usual lush arrangements in favor of a shoegaze-inspired approach. Fittingly, the record, 2018's Parallel Universe Blues, was released by Slumberland Records, home to many great shoegaze and dream pop albums over the years. Quever shifted back behind the scenes after this, working on albums producing by Dean Wareham, Sugar Candy Mountain, and Dark Tea. He resurfaced in 2021 with a five-song EP titled Baxter's Bliss, which was more home-cooked dream pop. On it, he covered songs by Galaxie 500 and Leonard Cohen, alongside three new songs that dealt with the uncertainty of life in COVID times. It was issued by Slumberland in November. Biography by Kenyon Hopkin Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
West Coast soft pop practitioners Papercuts are based around the skills of Jason Quever, a multi-instrumentalist and producer with a firm grasp on 50 years' worth of pop, whether it's indie, baroque, folk, or noise. Whether working alone (as on early albums like 2007's Can't Go Back) or with collaborators (as on 2011's album for Sub Pop, Fading Parade), Quever's trademark sound blends echoing guitars and full arrangements with melancholy melodies and his faded whisper of a voice. It's a template used by many, but Quever's skill (as evidenced by his busy slate of studio work with the likes of Luna and Beach House) vaults Papercuts past most of their contemporaries, even when tweaking the formula, as on 2018's shoegaze-inspired Parallel Universe Blues or 2021's Baxter's Bliss EP. Quever was brought up in a commune in Humboldt County, California. After both his parents' early deaths, he traveled alone up and down the West Coast before eventually settling in San Francisco. His musical career began when he used the apartment of a vacationing friend to record piano tracks for Cass McCombs' 2002 album, Not the Way. This was the start of a busy few years collaborating with others (like Casiotone for the Painfully Alone, the Skygreen Leopards, and Vetiver) while also starting up Papercuts. The first Papercuts album, Mockingbird, was released in 2004, then Can't Go Back followed in 2007. It was released on the Gnomonsong label, run by Devendra Banhart and Vetiver's Andy Cabic, and in support of that record, Papercuts toured throughout the U.S. with Grizzly Bear. Up to that point, Papercuts records were mainly solo Quever works recorded at his self-built Pan American home studio, but on 2009's You Can Have What You Want, Alex Scally of Beach House not only contributed bass, keyboards, and percussion, but also assisted with string arrangements and session engineering. The next Papercuts album took the collaborative spirit even further, with Quever using members of his live band (keyboardist David Enos, drummer Graham Hill, and bassist Frankie Koeller) as well as producer Thom Monahan to help record the road-tested songs. It was also the first Papercuts album to be recorded outside Pan American, as parts of it were tracked at the Hangar in Sacramento. It was also the band's Sub Pop debut, and the legendary label released the sprightly, more expansive Fading Parade in 2011. After this, Quever put the band on the back burner and focused more attention on producing other artists. A few notable albums he worked on at this point were Donovan Quinn's Honky Tonk Medusa, Dean Wareham's Emancipated Hearts, and Eux Autres' Sun Is Sunk. He had also been working on another Papercuts album during this time, recording at Pan American with occasional guests like Graham Hill and a small string section. The resulting Life Among the Savages was released in May of 2014 for new labels Easy Sound in the U.S. and Memphis Industries in the U.K. After a spot of touring, Quever again put the band on hold and moved behind the scenes to work on albums by the Mantles, Sugar Candy Mountain, Luna, and Beach House. He also moved from San Francisco to Los Angeles, dismantling his home studio in the process. The next Papercuts album was recorded at Palmetto Studios in L.A. with minimal outside help, and found Quever stripping back the usual lush arrangements in favor of a shoegaze-inspired approach. Fittingly, the record, 2018's Parallel Universe Blues, was released by Slumberland Records, home to many great shoegaze and dream pop albums over the years. Quever shifted back behind the scenes after this, working on albums producing by Dean Wareham, Sugar Candy Mountain, and Dark Tea. He resurfaced in 2021 with a five-song EP titled Baxter's Bliss, which was more home-cooked dream pop. On it, he covered songs by Galaxie 500 and Leonard Cohen, alongside three new songs that dealt with the uncertainty of life in COVID times. It was issued by Slumberland in November. Biography by Kenyon Hopkin Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Future Primitive
John Brown
Unavailable
Do What You Will
Once We Walked In The Sunlight
You Can Have What You Want
Dear Employee
Sing to Me Candy
Summer Long
The Machine Will Tell Us So
Do You Really Wanna Know
A Peculiar Hallelujah
Dead Love
The Void
Take The 227th Exit
The Wolf
Jet Plane
Outside Looking In
Just Another Thing To Dust
Sandy
The World I Love
Found Bird
White Are the Waves
Dictator's Lament
I'll See You Later I Guess
Chills
The Messenger
A Dictator's Lament
Winter Daze
Poor and Free
Future Primative
Marie Says You've Changed
Charades
Mockingbird
Still Knocking At The Door
Life Among The Savages
How to Quit Smoking
Boys of Summer
A Fairy Tale
Wait Till I'm Dead
My Ivory Tower
Tulips
December Morning
Judy
Easter Morning
New Body
Pan American Blues Pt. 2
Do you really want to know
Well I Don't
Mattress on the Floor
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