Ugly Animals
RETOX was Brian Evans, Thor Dickey, Michael Crain (The Festival of Dead Deer, Dead Cross), and Justin Pearson (The Locust, All Leather, Some Girls, Swing Kids, Holy Molar, Head Wound City, Dead Cross, Planet B) The band began in 2011, releasing the Retox 7” self-titled EP – a record marked by reckless speed and blistering defiance in heavy opposition to the ongoing afflictions of stupidity, laziness, and the general bullshit that occupies underactive minds, which are themes that can be found in the majority of their work: “You have received a notice to quit your pointless bitching.” The lineup would remain the same for their first LP, Ugly Animals (Three One G, Ipecac), which proceeded the EP just months later, up until September 2011 in which Brian Evans took over for Gabe on drums. He would first be recorded on their sophomore album, released in 2013 by Three One G and Epitaph, YPLL (an acronym for a term interestingly centered around premature mortality, “Years of Potential Life Lost”). In 2014, the band released a split with Narrows, as well as recorded their third LP (Epitaph, Three One G). Cue the entrance of Keith Hendriksen (Kill the Capulets, Virginia Reed) to take over for Thor Dickey on bass, contributing to the consistent change and growth that propels the band from one unique album to the next: varying styles and sonically experimenting, melding the raw with the refined, reinforcing but never repeating. Throughout, they have toured continuously with similarly like-minded acts such as Melt-Banana, Tomahawk, OFF!, The Dillinger Escape Plan, and Doomsday Student, physically bringing every bit as much intensity as the music itself incites intellectually. Retox simultaneously reflects and defies society, using their music as a way of holding a mirror to the rest of us in order to expose our own fucked up realities and the twisted ethics authority attempts to inculcate in us every day. To encourage us to make “the powers that be” become “the powers that were” as they slowly fade into pathetic obscurity and die off, one by one. In May 2018 the band announced that a new album, The Nature of Failure, was being worked on. But the band split, in 2019, before the album was completed. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
RETOX was Brian Evans, Thor Dickey, Michael Crain (The Festival of Dead Deer, Dead Cross), and Justin Pearson (The Locust, All Leather, Some Girls, Swing Kids, Holy Molar, Head Wound City, Dead Cross, Planet B) The band began in 2011, releasing the Retox 7” self-titled EP – a record marked by reckless speed and blistering defiance in heavy opposition to the ongoing afflictions of stupidity, laziness, and the general bullshit that occupies underactive minds, which are themes that can be found in the majority of their work: “You have received a notice to quit your pointless bitching.” The lineup would remain the same for their first LP, Ugly Animals (Three One G, Ipecac), which proceeded the EP just months later, up until September 2011 in which Brian Evans took over for Gabe on drums. He would first be recorded on their sophomore album, released in 2013 by Three One G and Epitaph, YPLL (an acronym for a term interestingly centered around premature mortality, “Years of Potential Life Lost”). In 2014, the band released a split with Narrows, as well as recorded their third LP (Epitaph, Three One G). Cue the entrance of Keith Hendriksen (Kill the Capulets, Virginia Reed) to take over for Thor Dickey on bass, contributing to the consistent change and growth that propels the band from one unique album to the next: varying styles and sonically experimenting, melding the raw with the refined, reinforcing but never repeating. Throughout, they have toured continuously with similarly like-minded acts such as Melt-Banana, Tomahawk, OFF!, The Dillinger Escape Plan, and Doomsday Student, physically bringing every bit as much intensity as the music itself incites intellectually. Retox simultaneously reflects and defies society, using their music as a way of holding a mirror to the rest of us in order to expose our own fucked up realities and the twisted ethics authority attempts to inculcate in us every day. To encourage us to make “the powers that be” become “the powers that were” as they slowly fade into pathetic obscurity and die off, one by one. In May 2018 the band announced that a new album, The Nature of Failure, was being worked on. But the band split, in 2019, before the album was completed. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Thirty Cents Shy of a Quarter
Piss Elegant
Let's Not Keep In Touch
The World Is Ending and It's About Time
A Bastard on Father's Day
A Funeral on Christmas Sunday
Mature Science
Stick a Fork In It
Boredom Is Counter-Revolutionary
Cement Sucking
Die In Your Own Cathedral
Ten Pounds of Shit in a Five Pound Bag
Modern Balls
A Captive Audience
ready to spit
Sorry We Are Just Not Compatible
i rub the wrong way
We Know Who's The Prick
Don't Fall in Love with Yourself
You Lost Me at "It Wasn't My Fault"
Soviet Reunion
Greasy Psalms
The Savior, The Swear Word
we hang by our eyelids
put some hair on it
rusty sheriff's badge
Disappointing Grade
This Should Hurt A Little Bit
The Art Of Really Really Sucking
Biological Process of Politics
Nose to Tail
The Inevitable End
Consider the Scab Already Picked
Death Will Change Your Life
Without Money, We'd All Be Rich
You're Only A Crook If You Get Caught
Wooden Nickels
Strong Wrong Opinion
Congratulations, You're Good Enough
I've Had It Up To Here I'm Going To Prison
I've Had It Up To Here, I'm Going To Prison
Congratulations, You Are Good Enough
Garbageman
Fascination Street
Snap
I'd Rather Be Sleeing
unpleasant food
The World Is Ending, And It's About Time
Rusty Sheriffs Badge
We Are Not Compatible
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