Keine Schmerzen
Prior to the below mentioned band, there was a feminist women band successfully playing in Germany. Songs like Der Mann das ist ein Lustobjekt or Schneewittchen zerschlag deinen glaesernen Sarg or Unter dem Pflaster, ja da liegt der Sand were super hits in Germany, before some radio stations started censoring some songs due to enticing violence. The lyrics were provocative but funny, the music folksy and sweet. Three albums were released, but are now hard to find and very rare. Schneewittchen won critical acclaim and prizes in Germany for their performances and vocal abilities at renowned German art houses and institutions. Marianne Iser who is best described as a gothic Barbie, a high priestess combining bitter angry sentiments and tragic comedy at the same time. She wants to break taboos, provoke and confront. She rebels, screams and fights. They are somewhere between Classic and Avant-garde, giving you very intriguing unexpected soundscapes: classic music, atmospheric, computer sounds, electronic beats, rock e-guitars and pounding techno basses, all interwoven with screeching metallic sound effects. This art duo Marianne Iser and Thomas Duda offer their own fresh style of New German Chansons ranging from love songs to murderous sensations. Love them or hate them! From https://root.theworkpc.com/music/preview?img=http://www.myspace.com/schneewittchenvonhannover Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Prior to the below mentioned band, there was a feminist women band successfully playing in Germany. Songs like Der Mann das ist ein Lustobjekt or Schneewittchen zerschlag deinen glaesernen Sarg or Unter dem Pflaster, ja da liegt der Sand were super hits in Germany, before some radio stations started censoring some songs due to enticing violence. The lyrics were provocative but funny, the music folksy and sweet. Three albums were released, but are now hard to find and very rare. Schneewittchen won critical acclaim and prizes in Germany for their performances and vocal abilities at renowned German art houses and institutions. Marianne Iser who is best described as a gothic Barbie, a high priestess combining bitter angry sentiments and tragic comedy at the same time. She wants to break taboos, provoke and confront. She rebels, screams and fights. They are somewhere between Classic and Avant-garde, giving you very intriguing unexpected soundscapes: classic music, atmospheric, computer sounds, electronic beats, rock e-guitars and pounding techno basses, all interwoven with screeching metallic sound effects. This art duo Marianne Iser and Thomas Duda offer their own fresh style of New German Chansons ranging from love songs to murderous sensations. Love them or hate them! From https://root.theworkpc.com/music/preview?img=http://www.myspace.com/schneewittchenvonhannover Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
0Kontrol
Antisisters
Astaron
Athamay
Ich war in Gold
Ohne Liebe
Sonnenuntergang (I)
Keine Schmerzen
Sonnenuntergang (II)
Der Tod Hat Sich Verliebt
Sadistisch
Rosengarten
Destruktiv
Gemeinsam Untergehn
Komm wir ritzen uns die Adern
Du musst an dich glauben
Du hast die Liebe verraten
Sonnenuntergang II
Ich spucke Blut und Lieder
Der Mann meines Lebens
Perlen vor die Säue
Schwarze Madonna
Loch Im Kopf
Ich liebe dich
Verbrannte Kinder
Keine Sekunde Schweigen
Auf den vierten Blick
Ewige Liebe
Ich Bereue Alles
Mein König
Intro
Wütende Katze
Jesu Braut
In Diesem Kleinen Zimmer
Leere weiße Wände
Kaltes Hannover
Was Ich Tat, Tat Ich Aus Liebe
Von Küssen und Bitternissen
Komm
Ist das schon alles gewesen?
Heut Ist Ein Tag
Abschied
Verheißung
Sonnenuntergang I
Ja, ich will
Dornröschen
Soldat
Matador
von mir aus
Zwischen Bauchnabel und Brust
Schubi dubi dub da
Mark und Richard
Oh, bitte
wer sagt dir?
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