Rumors In Disguise
Shellshag: www.myspace.com/shellshag Shellshag is a spastic, minimal, two-piece, rock band spewing the sound and tradition of old punk with the feeling and noise of no wave; their music and live shows are very unpredictable. These minimalists have a thunderous sound and an innovative approach. It seems that after more than ten years of shredding instruments they have mastered their tools and song writing techniques. Their noisy, pop hooks have catchy phrasing, tune and melody; their noise infiltrates these hooks and words, creating a very ambiguous sound that enhances their image. Throughout this decade they have always had their fingers on the pulse of the times. They have played with some of their earlier peer influences such as, Iggy Pop, The Cramps, J. Mascis, Evan Dando and have been recorded by Pavement drummer Gary Young. Recently, during their one year long tour, they shared the stage and floor with such acts as Le Savy Fav, Coachwhips, Lightning Bolt, Jucifer and Ruins. Shellshag’s live act is very unusual. They created their own mic stand…the flying V. It is two stands combined, creating a V and leaving them face-to-face. During their slower pop ballads it seems like these two lovebirds are on their way to the bedroom after a romantic stroll through the park; during their angst driven tunes it seems like they are about to throw their instruments at each other (which they sometimes do) and violently thrash each other. Shell is an animated, elongated, caricature of himself. His uniqueness drives his guitar squeals and riffs deep into the ear canal, bouncing down the spine and blasting out the anal orifice. His performance is very distinctive, using the room as his stage. He might start the show in the middle of the audience and end it exhausted on the floor behind the stage. Shag stands up actively playing and wearing body percussion. This percussion princess plays a floor tom, rack tom, and snare, all high on their stands; she wears body percussion made of shells, bells and broken tambourine parts. As she plays she dances on the stage hopped up on a mixture of adrenaline, whiskey and soul. Although they are often compared to X, The Desendents and the Raveonettes these two zany performers create a sound and image equivalent to none and second to only themselves. ShellShag has blasted minds and changed lives…see and hear for yourselves, that is, if you have the nerve. www.panacherock.com/booking/?x=7#bio Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Shellshag: www.myspace.com/shellshag Shellshag is a spastic, minimal, two-piece, rock band spewing the sound and tradition of old punk with the feeling and noise of no wave; their music and live shows are very unpredictable. These minimalists have a thunderous sound and an innovative approach. It seems that after more than ten years of shredding instruments they have mastered their tools and song writing techniques. Their noisy, pop hooks have catchy phrasing, tune and melody; their noise infiltrates these hooks and words, creating a very ambiguous sound that enhances their image. Throughout this decade they have always had their fingers on the pulse of the times. They have played with some of their earlier peer influences such as, Iggy Pop, The Cramps, J. Mascis, Evan Dando and have been recorded by Pavement drummer Gary Young. Recently, during their one year long tour, they shared the stage and floor with such acts as Le Savy Fav, Coachwhips, Lightning Bolt, Jucifer and Ruins. Shellshag’s live act is very unusual. They created their own mic stand…the flying V. It is two stands combined, creating a V and leaving them face-to-face. During their slower pop ballads it seems like these two lovebirds are on their way to the bedroom after a romantic stroll through the park; during their angst driven tunes it seems like they are about to throw their instruments at each other (which they sometimes do) and violently thrash each other. Shell is an animated, elongated, caricature of himself. His uniqueness drives his guitar squeals and riffs deep into the ear canal, bouncing down the spine and blasting out the anal orifice. His performance is very distinctive, using the room as his stage. He might start the show in the middle of the audience and end it exhausted on the floor behind the stage. Shag stands up actively playing and wearing body percussion. This percussion princess plays a floor tom, rack tom, and snare, all high on their stands; she wears body percussion made of shells, bells and broken tambourine parts. As she plays she dances on the stage hopped up on a mixture of adrenaline, whiskey and soul. Although they are often compared to X, The Desendents and the Raveonettes these two zany performers create a sound and image equivalent to none and second to only themselves. ShellShag has blasted minds and changed lives…see and hear for yourselves, that is, if you have the nerve. www.panacherock.com/booking/?x=7#bio Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
1986
Abay
ActionReaction
Resilient Bastard
1984
Face to Face
Destroy Me I'm Yours
Shut Up
This Is What I Want
Crashing Rockets
Flowers for Julie
Means That Much to Me
Dirty Looks
There for You
Save Yourself
Driving Song
Come Down
Get Right
Happiness
Rumor
Muster Up
Same Fears
Promise
Bridge
Carry On
Forever
Wake Up
Little Birdy
Rock and Roll Ruined My Life
Gary's Note
He Said She Said
Kiss Me Harder
Medley
Boat Race
Make Love
Right and Wrong
Sweet Hoody
Wasted Imagination
Resiliant Bastard
Crybaby
I Love You Anyway
Shallow
Dots in Rhyme
Zero Girl
Sweet Hoodie
123
Blowin IT
Unacceptable
Bill Badgley, Please Don't Let Me Fade away
He Said, She Said
5 1 and Change
Capitvator
'90s Problem
label_stop_radio
