HAAB'
the musical project tzolk'in is a collaboration between Empusae and Flint Glass - artists who are known in the fields of dark ambient, contemporary ritualistic tribal music and experimental electronica. this project is a conceptual creation inspired by mayan mythology and the ancient mayan astrological calendar of the same name. from the beginning their approach to sound resulted in quite a few novel musical perspectives: the merging of empusae's distinct dark, oppressive and brooding soundscapes and flint glass's characteristic rhythmic and ambient compositions (which are seemingly subject to an almost alien purpose and theme). the final product is majestic and epic, often martial and bellicose, with a sense of tragedy that at times is even quite meditative. tzolk'in can easily be viewed as an exotic soundtrack to the phantoms of a dead civilization or more simply put, music that is inspired by a doomed mayan divination system. on their first self-titled release, Empusae and Flint Glass chose eight periods of the tzolk'in calendar and on haab' they describe eight periods of the mayan solar year. ceremonious, deep tones merge with the power and strength of industrial music - kept together by elaborate impulsive ritual rhythms that enhance the atmosphere of a flourishing culture. an abyssal, haunting cycle of tribal sound, constructed so that the listener can dive into a bygone era. www.tzolk-in.com www.myspace.com/tzolkinmusic Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
the musical project tzolk'in is a collaboration between Empusae and Flint Glass - artists who are known in the fields of dark ambient, contemporary ritualistic tribal music and experimental electronica. this project is a conceptual creation inspired by mayan mythology and the ancient mayan astrological calendar of the same name. from the beginning their approach to sound resulted in quite a few novel musical perspectives: the merging of empusae's distinct dark, oppressive and brooding soundscapes and flint glass's characteristic rhythmic and ambient compositions (which are seemingly subject to an almost alien purpose and theme). the final product is majestic and epic, often martial and bellicose, with a sense of tragedy that at times is even quite meditative. tzolk'in can easily be viewed as an exotic soundtrack to the phantoms of a dead civilization or more simply put, music that is inspired by a doomed mayan divination system. on their first self-titled release, Empusae and Flint Glass chose eight periods of the tzolk'in calendar and on haab' they describe eight periods of the mayan solar year. ceremonious, deep tones merge with the power and strength of industrial music - kept together by elaborate impulsive ritual rhythms that enhance the atmosphere of a flourishing culture. an abyssal, haunting cycle of tribal sound, constructed so that the listener can dive into a bygone era. www.tzolk-in.com www.myspace.com/tzolkinmusic Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Abrasions
Adaptcore
Aderlating
Muwan
Kumk'U
Yaxk'In
Sotz
K'ayab
Uayeb
K'Ank'In
Xul
Chikchan
tonatiuh
quetzacoatl
tezcatlipoca
mictlantecuhtli
toci
Imix
tlazolteotl
Kawak
nanahuatzin
Kaban
Etz'nab
xipe totec
meztli
Chuwen
citlalicue
Ak'bal
centzonmimixcoa
Imix (Hidden Forms Remix)
Lamat
tlaltecuhtli
coatlicue
tlahuizcalpantecuhtli
Xipetotec
Zotz (Remix By Flint Glass)
Lamal
Xipe-Totec (MF Edition)
Zotz
Chikchan (Live At Kod.eX)
Yaxk'in (EA9 d&b Remix)
Etz´nab
Tlazolteotl (Geomatic Remix)
Ak´bal
Etzґnab
Coatlicue (rmx by Loss)
Akґbal
Xipetotec (EA12 Edit)
Zotz (Flint Glass Remix)
Toci (A21 edition)
Kayab
Yaxk"in
Ua Yeb
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