You Are Beautiful At All Times
Landscape and memory have always played a central part in the music of Joe Corrales Jr. aka Yppah (pronounced “yippah”). It’s what gives his tunes both their sense of place, their physicality, and their ethereal - almost nostalgic - sweetness. Joe Corrales Jr, from Houston, Texas debuted on Ninja Tune in 2006. His third album for Ninja Tune reflects a change in the landscape around him. Midway through the process of recording the demos for what became Eighty One, Corrales started making regular trips to Galveston, on the Texas Gulf coast, to surf. So energised was he by his experiences, he left his home in Texas and moved to Long Beach, California. Unsurprisingly then, he says that the images he had in his head as he made his new music were of the sea and the beach. “I wanted a lot of the songs to feel like a warm wash,” he explains. On tracks like “Blue Schwinn” you can feel the pull and push of the ocean, the sun refracting through water. Corales bifurcated belief in the power of both hip hop and My Bloody Valentine is still evident, but this is the warmest, most uplifting music he has made. This is reinforced by Corrales’ other source of inspiration. The record takes its title from the year Corrales was born and, perhaps the very act of moving away from childhood locales stirred up “memories from random times in my life. Like I was trying to recreate certain feelings I had at different points in my life with melodies, if that makes any sense.” And he goes on to ask, “You know how when you’re a child you feel your life has a certain melodic theme that you can’t really put your finger on and you can almost hear it, but its not anything you’ve ever heard before?” Eighty One is his attempt to capture those melodies. The last piece in this act of reinvention is the presence on four tracks of Anomie Belle, a singer, producer and classically trained violinist based in Seattle. The pair met when Yppah was touring with Bonobo in 2010. The pair hit it off and Corrales contributed a remix to Belle’s album, “The Crush.” In return, she offered to listen through to demos of Eighty One to see if she could find a track which she could add something to. In the words of Yppah, “it was such a natural fit she ended up doing four!” Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Landscape and memory have always played a central part in the music of Joe Corrales Jr. aka Yppah (pronounced “yippah”). It’s what gives his tunes both their sense of place, their physicality, and their ethereal - almost nostalgic - sweetness. Joe Corrales Jr, from Houston, Texas debuted on Ninja Tune in 2006. His third album for Ninja Tune reflects a change in the landscape around him. Midway through the process of recording the demos for what became Eighty One, Corrales started making regular trips to Galveston, on the Texas Gulf coast, to surf. So energised was he by his experiences, he left his home in Texas and moved to Long Beach, California. Unsurprisingly then, he says that the images he had in his head as he made his new music were of the sea and the beach. “I wanted a lot of the songs to feel like a warm wash,” he explains. On tracks like “Blue Schwinn” you can feel the pull and push of the ocean, the sun refracting through water. Corales bifurcated belief in the power of both hip hop and My Bloody Valentine is still evident, but this is the warmest, most uplifting music he has made. This is reinforced by Corrales’ other source of inspiration. The record takes its title from the year Corrales was born and, perhaps the very act of moving away from childhood locales stirred up “memories from random times in my life. Like I was trying to recreate certain feelings I had at different points in my life with melodies, if that makes any sense.” And he goes on to ask, “You know how when you’re a child you feel your life has a certain melodic theme that you can’t really put your finger on and you can almost hear it, but its not anything you’ve ever heard before?” Eighty One is his attempt to capture those melodies. The last piece in this act of reinvention is the presence on four tracks of Anomie Belle, a singer, producer and classically trained violinist based in Seattle. The pair met when Yppah was touring with Bonobo in 2010. The pair hit it off and Corrales contributed a remix to Belle’s album, “The Crush.” In return, she offered to listen through to demos of Eighty One to see if she could find a track which she could add something to. In the words of Yppah, “it was such a natural fit she ended up doing four!” Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Never Mess With Sunday
Gumball Machine Weekend
Film Burn
D. Song
Again With The Subtitles
R. Mullen
Some Have Said
Blue Schwinn
It's Not The Same
Bushmills
Ending With You
I'll Hit The Breaks
Longtime
Occasional Magic
Good Like That
In Two, The Weakly
Cannot See Straight
What's The Matter?
Three Portraits
Almost In That Category
The Subtleties That Count
We Aim
Happy To See You
Shutter Speed
Paper Knife
Golden Braid
Soon Enough
Owl Beach II
Son Saves The Rest
Playing With Fireworks
The Tingling
They Know What Ghost Know
Autumn Phase
The Moon Scene 7
Tree Ghost
City Glow
Sun Flower Sun Kissed
Coastal Cities
Bobbie Joe Wilson
A Parking Lot Carnival
Light Cycle
Southern Sky Tells All
All Shades of Pink
Neighborhoods - The Range Remix
Little Dreamer
Her Star Won't Shine
Neighborhoods
The Subtitles That Count
Phoenix by Midnight
Dreams Like You
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