There Existed An Addiction To Blood
"Nothing is Safe" features a John Carpenter inspired rap beat and depicts an image of cops raiding a trap house. Diggs sketches the narrative from the perspective of the victims, full of lurid and visceral details and intricate wordplay. The windows are boarded and sealed, the product simmers on the stove, the bodies sleep fitfully in shifts. Then law enforcement arrives and the bullets start to fly. Read more on Last.fm.
clipping. is a rap trio from Los Angeles formed in 2010 by William Hutson (Rale), film soundtrack composer Jonathan Snipes (ex-Captain Ahab) and vocalist Daveed Diggs. Lyrically, clipping.’s music attempts to reshuffle and repeat accepted rap scenarios, while eliminating a traditional single-point perspective. Diggs’s writing is heavily citational, like a rough-edged collage, gluing together half-glimpsed images and misremembered references, many of which might feel familiar, and some of which assuredly do not. But even while he consumes and regurgitates established styles, his self-erasure is incomplete; Diggs’s dense, often motormouthed flow remains wholly his own. Individually, the members are known outside of the group for their extra-curricular artistic projects. Diggs is a stage actor, while Snipes composes music for film, and Hutson is an established noise music artist. Snipes and Hutson have collaborated on many projects, including the score to the documentary Room 237, which was released by IFC in 2013. In February 2013, clipping. released their debut album, Midcity, on their website. The project was created entirely in-house, with the trio writing, producing, engineering, mixing and mastering all of the material themselves. There was no budget, no outside promotion, no hype-machine, no blog or label interest. In fact, clipping. had no expectation that anyone would bother listening to the album, let alone enjoy it. Nevertheless, reactions were largely positive— despite the uncompromising nature of the production, and its obfuscatory lyrical content— and within five month’s of Midcity’s release, clipping. signed a deal with Sub Pop Records. CLPPNG, the band’s label debut, was written and recorded between February and October of 2013. Highly well-received, CLPPNG is an album that demonstrates the variety of sounds available when the ‘rules’ of a genre are willfully questioned. https://root.theworkpc.com/music/preview?img=http://www.itsclippingbitch.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
"Nothing is Safe" features a John Carpenter inspired rap beat and depicts an image of cops raiding a trap house. Diggs sketches the narrative from the perspective of the victims, full of lurid and visceral details and intricate wordplay. The windows are boarded and sealed, the product simmers on the stove, the bodies sleep fitfully in shifts. Then law enforcement arrives and the bullets start to fly. Read more on Last.fm.
clipping. is a rap trio from Los Angeles formed in 2010 by William Hutson (Rale), film soundtrack composer Jonathan Snipes (ex-Captain Ahab) and vocalist Daveed Diggs. Lyrically, clipping.’s music attempts to reshuffle and repeat accepted rap scenarios, while eliminating a traditional single-point perspective. Diggs’s writing is heavily citational, like a rough-edged collage, gluing together half-glimpsed images and misremembered references, many of which might feel familiar, and some of which assuredly do not. But even while he consumes and regurgitates established styles, his self-erasure is incomplete; Diggs’s dense, often motormouthed flow remains wholly his own. Individually, the members are known outside of the group for their extra-curricular artistic projects. Diggs is a stage actor, while Snipes composes music for film, and Hutson is an established noise music artist. Snipes and Hutson have collaborated on many projects, including the score to the documentary Room 237, which was released by IFC in 2013. In February 2013, clipping. released their debut album, Midcity, on their website. The project was created entirely in-house, with the trio writing, producing, engineering, mixing and mastering all of the material themselves. There was no budget, no outside promotion, no hype-machine, no blog or label interest. In fact, clipping. had no expectation that anyone would bother listening to the album, let alone enjoy it. Nevertheless, reactions were largely positive— despite the uncompromising nature of the production, and its obfuscatory lyrical content— and within five month’s of Midcity’s release, clipping. signed a deal with Sub Pop Records. CLPPNG, the band’s label debut, was written and recorded between February and October of 2013. Highly well-received, CLPPNG is an album that demonstrates the variety of sounds available when the ‘rules’ of a genre are willfully questioned. https://root.theworkpc.com/music/preview?img=http://www.itsclippingbitch.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
intro
Say the Name
Story 2
Nothing is Safe
Body & Blood
Check the Lock
Work Work
'96 Neve Campbell
Something Underneath
Wytchboard (Interlude)
Blood of the Fang
Taking Off
Make Them Dead
Enlacing
Inside Out
Wriggle
Summertime
She Bad
Pain Everyday
Looking Like Meat
La Mala Ordina
He Dead
Haunting (interlude)
Shooter
The Show
Drove (Interlude)
Dream
Run for Your Life
Invocation (Interlude)
Club Down
Dominoes
Story 7
Prophecy (interlude)
Eaten Alive
Run It
Ends
Body for the Pile
Get Up
Tonight
Secret Piece
Possession (interlude)
All in Your Head
Change the Channel
Dominator
The Breach
Air 'Em Out
Or Die
Keep Pushing
Attunement
All Black
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