Demo
Multidisciplinary artist and producer Veronika J. Koenig offers the prototype of a new age of pop music on her debut album HEAVY LISTENING (out due October 2018 via Futuresfuture). Writing and producing in her Viennese bedroom under the moniker FARCE, Koenig rejects industry norms and hierarchy with her DIY attitude while delivering highly polished and theatrical pop songs. Starting out in the Blackmetal Band Boden in her hometown of Stuttgart in her teens, Koenig traded in the guitar for an 808, some synthesizers, a little AutoTune and then some when she moved to Vienna in 2015. Effortlessly building bridges from trappy and electronic beats to distorted guitars, Soul samples to Trance Pop hooks, HEAVY LISTENING builds a sonic landscape tapping into and shaping the zeitgeist of the next musical generation. Appearing in three separate productions at the 2018 edition of the critically acclaimed Hyperreality Festival for Club Culture by Wiener Festwochen, Koenig has a grip on and a hand in the most interesting showcases of the festival. In collaborations with the internationally praised and acclaimed Gaddafi Gals and Fauna, FARCE extends her fresh, multi-instrumentalist take on Pop, Hip Hop and Techno to a diverse body of work created with her peers. Influenced by and compared to the likes of international acts like St. Vincent, Grimes or Charli XCX, FARCE quickly became a staple of the underground and not-so-underground music scene in Vienna, Austria. ~ Magdalena Kraev, SY Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Multidisciplinary artist and producer Veronika J. Koenig offers the prototype of a new age of pop music on her debut album HEAVY LISTENING (out due October 2018 via Futuresfuture). Writing and producing in her Viennese bedroom under the moniker FARCE, Koenig rejects industry norms and hierarchy with her DIY attitude while delivering highly polished and theatrical pop songs. Starting out in the Blackmetal Band Boden in her hometown of Stuttgart in her teens, Koenig traded in the guitar for an 808, some synthesizers, a little AutoTune and then some when she moved to Vienna in 2015. Effortlessly building bridges from trappy and electronic beats to distorted guitars, Soul samples to Trance Pop hooks, HEAVY LISTENING builds a sonic landscape tapping into and shaping the zeitgeist of the next musical generation. Appearing in three separate productions at the 2018 edition of the critically acclaimed Hyperreality Festival for Club Culture by Wiener Festwochen, Koenig has a grip on and a hand in the most interesting showcases of the festival. In collaborations with the internationally praised and acclaimed Gaddafi Gals and Fauna, FARCE extends her fresh, multi-instrumentalist take on Pop, Hip Hop and Techno to a diverse body of work created with her peers. Influenced by and compared to the likes of international acts like St. Vincent, Grimes or Charli XCX, FARCE quickly became a staple of the underground and not-so-underground music scene in Vienna, Austria. ~ Magdalena Kraev, SY Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Trophy Wife
Thee Silence
Kiss Me
Subway Surfer
Mama Morgana
When the Streets
Big Swiss
air berlin
Cataclysmic Nuclear Disaster
Habitual Death
Death by 1000 Cuts
Deterioration
Die Angst
Those That Belong To The Emperor, Embalmed Ones
Another Lie
Massacred Millions
Murderous State
I Hate Berlin II
Alone Before
Trancesetter
Oasis
In Control
Visual Analysis Of The Troubled Mind
Silent Night
25
I Hate Berlin
Cctv
(If You See Me Around) Don't Come
Zozan
Come Close to Me (or Let It Go)
Meditation 4 2
FRECKLESZ
I'm Dying, Man
Handy
Meddl 1000
SVA
A MOON LIKE ME
Cherry Angioma
Déjà Dub
Heavy Listening
Socialite
Police Bastard by Doom
Pièce de résistance
Pavlov Tough Love
Ungut
Wrestling
Migraine Sex
Skyrim Music Tavern 2
Police Bastard (Doom)
Handy - I Hate the Club and the Club Hates Me Anniversary Edit
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