A Duck In A Tree 2012-09-15 | Be Guided, You Will Keep An Immortal Recollection
krill.minima is the exotic ambient project of Martin Juhls from Dortmund, Germany. Besides his housy clickdub moniker Falter and his orchestral inspired Marsen Jules tracks his project krill.minima is about the idea of mixing warmth, emotion and pop-appeal with exotic and experimental sounds, modern soundhack, clicking rhythms and ambient constructions. Even if his music sounds personally and fresh his influences reach far back to the sound-imaginations and concepts of timeless composers like Brian Eno, Erik Satie, Steve Reich, Stockhausen, Piere Henry and modern sound innovators like Sonic Youth, Autechre, Aphex Twin, Alva Noto and Rhythm&Sound. Everything I hear is available material is a quote by Music-Concrete creator Piere Henry which is very close to Martins procedure of making his ambient music. Most of his rhythm sounds are based on ordinary and non ordinary noises which he recorded in his living room. Even if this sounds like an experimental way of making music Martin has a quite different approach of creating his athmospheric tracks. Mostly when I start producing a new track or project I have a clear soundpicture, emotion and atmosphere in mind which I want to make hearable. Then I start collecting the sounds, chords and fragements which I think could work to create a comparable acoustic surrounding. Aliases: Falter, Marsen Jules, Martin Juhls, Wildach Sonnerkraut Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
krill.minima is the exotic ambient project of Martin Juhls from Dortmund, Germany. Besides his housy clickdub moniker Falter and his orchestral inspired Marsen Jules tracks his project krill.minima is about the idea of mixing warmth, emotion and pop-appeal with exotic and experimental sounds, modern soundhack, clicking rhythms and ambient constructions. Even if his music sounds personally and fresh his influences reach far back to the sound-imaginations and concepts of timeless composers like Brian Eno, Erik Satie, Steve Reich, Stockhausen, Piere Henry and modern sound innovators like Sonic Youth, Autechre, Aphex Twin, Alva Noto and Rhythm&Sound. Everything I hear is available material is a quote by Music-Concrete creator Piere Henry which is very close to Martins procedure of making his ambient music. Most of his rhythm sounds are based on ordinary and non ordinary noises which he recorded in his living room. Even if this sounds like an experimental way of making music Martin has a quite different approach of creating his athmospheric tracks. Mostly when I start producing a new track or project I have a clear soundpicture, emotion and atmosphere in mind which I want to make hearable. Then I start collecting the sounds, chords and fragements which I think could work to create a comparable acoustic surrounding. Aliases: Falter, Marsen Jules, Martin Juhls, Wildach Sonnerkraut Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Submarine Poetry
Nautica
Kronen Dab
Octopus and Sextant
Mamor - Dedub
Princess of the Undersea Gardens
Knuspermarsch
kalmar
Palmengasse
The Escargot's Dream
The Sea Horse and the Soft Coral
Sommerdellen
Wie die Wolken zieht auch der Tag vorbei
Projektor
Strandpalast
Surface from the Groundless Oceans
Apfelbaumgrund
Leichtes Glimmen
catdinr42
Einsiedelstein
Pfloez
Heizkörper Lauschen
Sleeping Or Awake
in einem Traum den ich einst hatte
Die Blumen in der Vase auf dem Tisch in deinem Zimmer
die Reflexion des Projektors auf der Leinwand
Zwischen zwei und einer Sekunde
das Licht durch dein Fenster Schatten wirft an die Wand
kalypso
Bienenkorb
Serpentine
von angesicht zu angesicht
Radiodub 1
Unter Druck
Radiodub 2
Holzwurm
Nachtigal
Marienkaefer
Monddiode
Radiodub 3
Borkenkaefer
Mamor (Dedub)
Timbre
Substantial Drift
Cocon
Luxury Liner
Winterweiss
The Escargots Dream
Gamelan
Montreal > Dortmund
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