West Coast Systems Vol 2
Artist Bio: As a child of the 1980s, Vancouver-born producer Kelly Claude Nairn (WzrdryAV) was hypnotized by the results of New York City resourcefulness: raw, sparse, drum machine hip-hop and later, the eclectic sample-based rap of the 1990s. Raised by a new age mom and jazz freak artist dad, pillaging the family record cabinet for inspiration was a natural progression. Two turntables, mixer, and a sampler later, Kelly was soon making deft left-field instrumentals. Concurrent w/ electro-acoustic study under granular synthesis pioneer Barry Truax at Simon Fraser University, field recordings, audio collage, sound object manipulation, and slightly unhinged ambient works were added to his expanding cache. Foundation and technique in place, by the new millennium, the beat maker was putting a revelatory breakthrough into practice, “sample anything.” From big screen cinema and late night VHS sessions to TV sign off music and nature sounds, nothing was off limits. This not only led to the creation of WZRDRY (Kelly’s imprint and artistic umbrella), but a range of productions released internationally on vinyl, cassette tape, and compact disc. Today, Kelly combines his academic background w/ a personal self-taught approach, equally informed by British Columbia’s street meets tree topped mountains and oceanic reflections. Utilizing analog and digital equipment, new tracks aim to create a place/atmosphere/mood via magnetic programming and universal rhythms. While deliberate melodies are uncommon, repeating fragments of tones/chords and foggy loops/drones manifest themselves in the most unexpected ways. “I'm putting together and playing back sounds for the audience that I find evocative for my own escapism,” states the producer, encouraging listeners to join the trip and interpret, as they will. The music of WzrdryAV goes beyond the increasingly fast-paced cultural landscape, gradually slowing the pace and returning some long forgotten feeling to auditory expression. Touching on the influence of Jamaican dub and Detroit techno in his oeuvre, “It's about facing limitations by looking within to work in different ways and develop one's creativity.” Here’s to the future... Listen, live, and learn! Listen here: https://root.theworkpc.com/music/preview?img=http://soundcloud.com/wzrdry And download here: https://root.theworkpc.com/music/preview?img=http://wzrdryrecordings.bandcamp.com/ Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Artist Bio: As a child of the 1980s, Vancouver-born producer Kelly Claude Nairn (WzrdryAV) was hypnotized by the results of New York City resourcefulness: raw, sparse, drum machine hip-hop and later, the eclectic sample-based rap of the 1990s. Raised by a new age mom and jazz freak artist dad, pillaging the family record cabinet for inspiration was a natural progression. Two turntables, mixer, and a sampler later, Kelly was soon making deft left-field instrumentals. Concurrent w/ electro-acoustic study under granular synthesis pioneer Barry Truax at Simon Fraser University, field recordings, audio collage, sound object manipulation, and slightly unhinged ambient works were added to his expanding cache. Foundation and technique in place, by the new millennium, the beat maker was putting a revelatory breakthrough into practice, “sample anything.” From big screen cinema and late night VHS sessions to TV sign off music and nature sounds, nothing was off limits. This not only led to the creation of WZRDRY (Kelly’s imprint and artistic umbrella), but a range of productions released internationally on vinyl, cassette tape, and compact disc. Today, Kelly combines his academic background w/ a personal self-taught approach, equally informed by British Columbia’s street meets tree topped mountains and oceanic reflections. Utilizing analog and digital equipment, new tracks aim to create a place/atmosphere/mood via magnetic programming and universal rhythms. While deliberate melodies are uncommon, repeating fragments of tones/chords and foggy loops/drones manifest themselves in the most unexpected ways. “I'm putting together and playing back sounds for the audience that I find evocative for my own escapism,” states the producer, encouraging listeners to join the trip and interpret, as they will. The music of WzrdryAV goes beyond the increasingly fast-paced cultural landscape, gradually slowing the pace and returning some long forgotten feeling to auditory expression. Touching on the influence of Jamaican dub and Detroit techno in his oeuvre, “It's about facing limitations by looking within to work in different ways and develop one's creativity.” Here’s to the future... Listen, live, and learn! Listen here: https://root.theworkpc.com/music/preview?img=http://soundcloud.com/wzrdry And download here: https://root.theworkpc.com/music/preview?img=http://wzrdryrecordings.bandcamp.com/ Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Waves & Spaces Phase 1
Octophase Minimal Mix Version
Summer Drone Phase 1
Octophase Meditation 1
Octophase Meditation 2
Neighbourhood Ghosts
Sleeping Room
Summer Drone Phase 2
Waves & Spaces Phase 2
Green Malay (Digital Bonus Track)
Waves & Spaces Phase 3 (Digital Bonus Track)
Pacific Infinite (Digital Bonus Track)
Medicinal Circuits
Familiar Dreams
Zooted Dimension
Swift Current
Grainscape Phase One
Dark Afternoons
Dawn Transition
Manitoba
Gravel Alley
Grainscape Phase Two
Walking Through Dreams
Heavy Clouds
Early Exit
Industrial Zone
Woodland Park Phase 2 (Cold Garage Version)
KTX Connection
Tropical Meltdown
Amiga Lab
Dusty Linoleum
Dusk Transition
Channel Drop
Librarian
Knock Sequence
Sundown
Posted Up
Petrochemical
Pathless
Making Movies
Resource 1.0
Stopover
Elysian Chorus
Forgot About Time
Island Shack
Almost Here
Fall1993
Manitoba (Roadtrip Version)
Ant Hill University
Walking Away
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