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Léonin

Léonin (also Leoninus, Leonius, Leo) (fl. 1150s — d. ? 1201) is the first known significant composer of polyphonic organum. He was probably French, and he probably lived and worked in Paris at the Notre Dame Cathedral, and was the earliest member of the Notre Dame school of polyphony who is known by name. The name Léonin is derived from "Leoninus," which is the Latin diminutive of the name Leo, thus it is likely that Léonin's given French name was Léo. All that is known about him comes from the writings of a later student at the cathedral known as Anonymous IV, an Englishman who left a treatise on theory and who mentions Léonin as the composer of the Magnus Liber, the "great book" of organum. Much of the Magnus Liber is devoted to clausulae—melismatic portions of Gregorian chant which were extracted into separate pieces, with the original note values greatly slowed down, and provided with a fast-moving upper part. Léonin was also probably the first composer to use the rhythmic modes, and possibly also to invent a notation for them (according to W.G. Waite, writing in 1954: "It was Léonin's incomparable achievement to introduce a rational system of rhythm into polyphonic music for the first time, and, equally important, to create a method of notation expressive of this rhythm."). The Magnus Liber was intended for liturgical use. According to Anonymous IV, "Magister Leoninus (Léonin) was the finest composer of organum; he wrote the great book (Magnus Liber) for the gradual and antiphoner for the sacred service." All of the Magnus Liber is for two voices, although little is known about actual performance practice: the two voices were not necessarily soloists. According to Anonymous IV, Léonin's work was greatly improved and expanded by the later composer Pérotin. See also Medieval music. The musicologist Craig Wright believes that Léonin may have been the same person as a contemporaneous Parisian poet, Leonius, after whom Leonine verse may have been named. This would make Léonin's use of meter even more significant.[1] Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

medieval early music french Classical 12th century



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Viderunt omnes... (2-part organum)
Viderunt omnes No. 2: ...Dominus...
Léonin / Pérotin: Magnus Liber / Easter: Cristus resurgens - Dicant nunc (à 3) (Processional Antiphon)
Viderunt omnes No. 1: Notum fecit... (2-part organum)
Viderunt omnes No. 2: Notum fecit... (2-part organum)
Viderunt omnes No. 1: ...Dominus...
Viderunt omnes No. 1: ...salutare suum ante conspectum gentium revelavit...
Viderunt omnes No. 1: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant)
Viderunt omnes No. 2: ...salutare suum ante conspectum gentium revelavit...
Viderunt omnes No. 2: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant)
Viderunt omnes No. 3: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant)
Viderunt omnes No. 1: Viderunt omnes... (2-part organum)
Léonin / Pérotin: Magnus Liber / Easter: Pascha nostrum immolatus (à 1) (Communion)
Viderunt omnes
Léonin / Pérotin: Magnus Liber / Feast Of St. Stephen: Etenim sederunt principes (à 1) (Introit)
Léonin / Pérotin: Magnus Liber / Feast Of St. Stephen: Video celos apertos (Communion)
Léonin / Pérotin: Magnus Liber / Easter: Et valde mane una sabbatorum (à 2) (Matins responsory)
Léonin / Pérotin: Magnus Liber / Easter: Victimae paschali laudes (à 1) (Sequence)
Léonin / Pérotin: Magnus Liber / Feast Of St. Stephen: Alleluya - Video celos apertos (à 2) (Alleluya)
Viderunt omnes No. 2: Viderunt omnes... (2-part organum)
Music of the Gothic Era - Notre Dame Period: 2. Alleluya Pascha nostrum
Léonin / Pérotin: Magnus Liber / Feast of the Assumption of the Blessed Virgin Mary: Benedicta (à 3) - Virgo, Dei genitrix (à 3) (Gradual)
Léonin / Pérotin: Magnus Liber / Feast of the Assumption of the Blessed Virgin Mary: Alleluya - Assumpta est Maria (à 2) (Alleluya)
Non Vos Relinquam - Homo Quo Vigeas
Léonin / Pérotin: Magnus Liber / Feast of the Assumption of the Blessed Virgin Mary: Beata es, virgo Maria (à 2) (Offertory)
Propter Veritatem
Music of the Gothic Era - Notre Dame Period: 3. Gaude Maria Virgo
Music of the Gothic Era - Notre Dame Period: 4. Locus iste
Viderunt omnes No. 1: ...justitiam suam (plainchant)
Organum duplum: Judaea et Jerusalem
Viderunt omnes fines terre
Priusquam te formarem
Music Of The Gothic Era - Notre Dame Period: 1. Viderunt omnes
Alleluya. Non vos relinquam orphanos
Alleluya. Dulce lignum, dulces clavos
Mass for the Nativity of the Virgin: XII. Benedicamus Domino à deux voix
Alleluya. Spiritus Sanctus procedens
Viderunt omnes No. 3: Viderunt omnes... (2-part organum)
Alleluya. Pascha nostrum immolatus est
Descendit de celis
Alleluya. Paraclitus Spiritus Sanctus
Léonin / Pérotin: Magnus Liber / Easter: Cristus resurgens - Dicant nunc (à 3) (Processional Ant
Alleluya. Inter natos mulierum
Benedicamus Domino
Gaude Maria Virgo
Alleluya. Dies sanctificatus illuxit nobis
Et valde mane
Christus resurgens
Mass for the Nativity of the Virgin: V. Graduel à deux voix : Benedicta et venerabilis
Alleluya Pascha nostrum



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