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Gustav Mahler

Gustav Mahler (7 July 1860 – 18 May 1911) was an Austro-Bohemian composer and conductor, regarded as a key figure bridging 19th-century Austro-German traditions and early 20th-century modernism. While his reputation as a conductor was well established during his lifetime, his compositions gained wider recognition only after periods of neglect, including bans on their performance in much of Europe during the Nazi era. After 1945, his works were rediscovered and have since become frequently performed and recorded. Mahler was born in Bohemia, then part of the Austrian Empire, to Jewish parents of modest background. He showed musical talent early and graduated from the Vienna Conservatory in 1878. He held various conducting positions in European opera houses, eventually becoming director of the Vienna Court Opera in 1897. During his decade in Vienna, Mahler, who converted to Catholicism to secure the position, faced opposition from anti-Semitic elements in the press. Despite this, his innovative productions and high standards established his reputation as a leading opera conductor, especially noted for interpretations of Wagner, Mozart, and Tchaikovsky. Later in life, he briefly directed the Metropolitan Opera and the New York Philharmonic. Mahler's compositional output is relatively small, as he composed mainly while working full-time as a conductor. Apart from early works, such as a movement from a piano quartet composed during his studies, his major works typically require large orchestras, symphonic choirs, and operatic soloists. His music was often controversial at first, with some works, including his Second Symphony and the successful premiere of his Eighth Symphony in 1910, receiving earlier acclaim. Composers associated with the Second Viennese School, such as Arnold Schoenberg, Alban Berg, and Anton Webern, were influenced by Mahler, as were later figures including Dmitri Shostakovich and Benjamin Britten. The International Gustav Mahler Society was founded in 1955 to celebrate his life and work. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Classical romantic austrian composers instrumental



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Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam
Adagietto
Um Mitternacht
Symphony No. 5 in C sharp minor: IV. Adagietto
Symphony No.5 in C sharp minor (Adagietto) {15}
Feierlich und gemessen, ohne zu schleppen
Part II: Ich spur’ soeben nebeind um Felsenhoh - Hier ist die Aussicht frei - Freudig empfangen wir
III. In ruhig fliessender Bewegung
Symphony No. 5: IV. Adagietto. Sehr langsam
Andante moderato
Symphony No. 2 In C Minor - Resurrection / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben
The Beautiful Blue Danube
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto
Symphony No.5 in C sharp minor: 4. Adagietto (Sehr Langsam)
Symphony No. 2 In C Minor - Resurrection / 1st Movement - Allegro maestoso (Totenfeier): Allegro maestoso
Symphony No. 6, 3. Andante Moderato
Symphony No. 6, 2. Scherzo. Wuchtig
Symphony No. 1 in D Major, Titan: III. Feierlich und gemessen, ohne zu schleppen
Symphony No. 5 in C sharp minor: IV. Adagietto. Sehr langsam
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto
Der Einsame im Herbst
Rückert-Lieder: Ich bin der Welt abhanden gekommen
Ich bin der Welt abhanden gekommen
Rheinlegendchen
Symphony No. 5 in C-Sharp Minor: IV. Adagietto: Sehr langsam
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano)
Der Abschied
Symphony No. 6, 1. Allegro Energico, Ma Non Troppo, Heftig, Aber Markig
Part II: Er uberwachst uns schon - vom edlen Geisterchor umgeben
Symphony No.5 In C Sharp Minor - 4th Movement
Symphony No. 2 In C Minor - Resurrection / 1st Movement - Allegro maestoso (Totenfeier): Wie zu Anfang
4. Sehr langsam. Misterioso
Wenn mein Schatz Hochzeit macht
Symphony No. 6 in A minor: I. Allegro energico, ma non troppo
Symphony No. 2 In C Minor - Resurrection / 1st Movement - Allegro maestoso (Totenfeier): (English horn)
Symphony No. 2 In C Minor - Resurrection / 1st Movement - Allegro maestoso (Totenfeier): Tempo sostenuto
Overture
Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1]
Symphony No. 5 in C sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz
Symphony No. 9 in D major: IV. Adagio - Sehr langsam und noch zuruckhaltend
Symphony No. 2 In C Minor - Resurrection / 1st Movement - Allegro maestoso (Totenfeier): Sehr mäßig und zurückhaltend
Symphony No. 5: IV. Adagietto
Symphony No. 5 in C sharp minor: 4. Adagietto (Sehr langsam)
Symphony No. 9 in D: Adagio
Adagio
Symphony No. 5 in C-Sharp Minor: IV. Adagietto
Das Trinklied vom Jammer der Erde
Symphony No. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
Symphony No. 2 In C Minor - Resurrection / 1st Movement - Allegro maestoso (Totenfeier): Ausdrucksvoll (English horn & bass clarinet)
Lieder eines fahrenden Gesellen - I Wenn mein Schatz Hochzeit macht



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