Bathos (Remaster 2010) [Explicit]
Some of the themes in Aarni's music may include: Balancing your ancestral path with the positive sides of modern technology & cultural redesign; magick, occultism, esoterica and world mythologies, brain-change, Discordianism, Satanism/Setianism, collective & personal liberation, transhumanism and theories of analytical psychology (especially those of C.G. Jung); the Cthulhu mythos as described by H.P. Lovecraft and fellow authors; plus divers more obscure topics. Aarni's superintelligent lyrics take form in the language believed most suitable for the song's subject: usually in English, Classical Latin or Finnish and occasionally in French, Ancient Egyptian, Hebrew, German, Enochian, Glossolalic, Ouranian-Barbaric et cetera. Aarni has of course always existed, but the current incarnation's story began in the autumn of 1998 ev, when M.·.M.·. suddenly began solitarily developing his vague musical ideas further. He got telepathetic messages from the unicorn dolphin elder of Sirius B, who begged M.·.M.·. to reawaken the ancient Xothian aural technology tradition called aarni. Soon after choosing to comply with the demands of these psychotic transmissions, Comte de Saint-Germain appeared to him and immediately joined Aarni. When the two gentlemen conducted an unsuccessful necromantic ritual at Moominpappa's cenotaph, a third member's addition to the band took place: Doomintroll. Simultaneously the first letter of Mahatma M's surname semi-accidentally flipped over completing his mutation into Master Warjomaa. The fourth band member does not really act as a proper musician, but seems nonetheless to partake in Aarni's creative processes. For Mistress Palm seems in fact composed entirely of artificial, phlogiston-driven rectoplasm and due to her apparently incorporeal nature can only exist on a computer's hard disk. Now work nears completion on Aarni's third studio album aka 'Lovecraftian'. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Some of the themes in Aarni's music may include: Balancing your ancestral path with the positive sides of modern technology & cultural redesign; magick, occultism, esoterica and world mythologies, brain-change, Discordianism, Satanism/Setianism, collective & personal liberation, transhumanism and theories of analytical psychology (especially those of C.G. Jung); the Cthulhu mythos as described by H.P. Lovecraft and fellow authors; plus divers more obscure topics. Aarni's superintelligent lyrics take form in the language believed most suitable for the song's subject: usually in English, Classical Latin or Finnish and occasionally in French, Ancient Egyptian, Hebrew, German, Enochian, Glossolalic, Ouranian-Barbaric et cetera. Aarni has of course always existed, but the current incarnation's story began in the autumn of 1998 ev, when M.·.M.·. suddenly began solitarily developing his vague musical ideas further. He got telepathetic messages from the unicorn dolphin elder of Sirius B, who begged M.·.M.·. to reawaken the ancient Xothian aural technology tradition called aarni. Soon after choosing to comply with the demands of these psychotic transmissions, Comte de Saint-Germain appeared to him and immediately joined Aarni. When the two gentlemen conducted an unsuccessful necromantic ritual at Moominpappa's cenotaph, a third member's addition to the band took place: Doomintroll. Simultaneously the first letter of Mahatma M's surname semi-accidentally flipped over completing his mutation into Master Warjomaa. The fourth band member does not really act as a proper musician, but seems nonetheless to partake in Aarni's creative processes. For Mistress Palm seems in fact composed entirely of artificial, phlogiston-driven rectoplasm and due to her apparently incorporeal nature can only exist on a computer's hard disk. Now work nears completion on Aarni's third studio album aka 'Lovecraftian'. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Agalloch
Aldebaran
Anathema
Angellore
Squaring the Circle
V.I.T.R.I.O.L.
Kivijumala
Quinotaurus (Twelve Stars in Sight)
The Thunder, Perfect Mindfuck
Mental Fugue
Niut Net Meru
The Hieroglyph
Oneiroskopos
Myrrys
Coniuratio Sadoquae
All Along The Watchtowers
Kesäyö
Arouse Coiled Splendour
Riding Down the Miskatonic On a Dead Thing
Reaching Azathoth
Transcend Humanity
Lampaan vaatteissa
The Sound of One I Opening
The Battle Hymn of the Eristocracy
Chapel Perilous
Barbelith
Untitled
Iku-Turso
Kesayo
Anima
Intro
The Weird of Vipunen
Quinotaurus (Twelve Stars in S
Ubbo-Sathla
Tohcoth
Liber Umbrarum Vel Coniunctio
Ονειροσκόπος
Lovecraft Knew
Rat King
Persona Mortuae Cutis
Dimwa Depenga
This Is Not A Mask
Hypnagogia
Pandemia
Λογος
Quinotaurus
Verivaikerrus / Hurmehanki
Verivaikerrus - Hurmehanki
"Untitled"
The Black Keyes (Of R'Lyeh)
Metsänpeitto
Logos
Quinotaurus (12 Stars In Sight)
V.I.T.R.I.O.L
label_stop_radio