You Are Eternity
Dadub is a meeting of two minds, Daniele Antezza and Giovanni Conti, a duo whose output is underpinned by a mutual curiosity. The result? Startling electronic music productions, one of the best live acts in the scene and the innovative Artefacts Mastering studio. The collaboration started not in their native Italy, but in Berlin. Daniele arrived in Berlin with the kernel of Dadub, a project he'd begun in 2008 with a release on the label A Quite Bump. Daniele came via Rome where he'd plunged himself into production, studying sound design under Enrico Cosimi. Giovanni had been drawn to Berlin to work on interactive digital arts projects, honing his knowledge of hardware and software. Once they met it was only a matter of time before Dadub became a two-man project. Twinned by a fascination of process, and a love of Lee Scratch Perry's mix board experiments, they take dub and push it into the deepest corners of techno and out to the ambient fringes. Frustrated by identikit sounds in electronic music they set about pouring their technical knowledge together in search of innovation. They describe their approach in the studio as 'like making scent'. Dadub take sound and process it to extract depth and expose human warmth. With this studio outlook it was natural for Dadub to move into mastering. They delved in and Artefacts Mastering emerged: mastering that involves no presets and a policy of adjusting every track entirely from scratch. It's exactly this type of discipline, their use of open strategies instead of formulas that also makes Dadub so dynamic live. Live they layer dubbing and synthesis, they take Dadub material and deconstruct or reconstruct it spontaneously. Their sets are seriously deep and have been showcased internationally at Barcelona's Sonar festival, Germany's Melt! festival and in clubs from Berlin to Moscow. There's something alchemical about Dadub whether live, on record or when commanding the studio. And when considering their mixes for CLR or Electric Deluxe, it's clear that when given space and length they're ambitious. This adds anticipation for the forthcoming Dadub productions, particularly their first album, which they are currently synthesizing into existence. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Dadub is a meeting of two minds, Daniele Antezza and Giovanni Conti, a duo whose output is underpinned by a mutual curiosity. The result? Startling electronic music productions, one of the best live acts in the scene and the innovative Artefacts Mastering studio. The collaboration started not in their native Italy, but in Berlin. Daniele arrived in Berlin with the kernel of Dadub, a project he'd begun in 2008 with a release on the label A Quite Bump. Daniele came via Rome where he'd plunged himself into production, studying sound design under Enrico Cosimi. Giovanni had been drawn to Berlin to work on interactive digital arts projects, honing his knowledge of hardware and software. Once they met it was only a matter of time before Dadub became a two-man project. Twinned by a fascination of process, and a love of Lee Scratch Perry's mix board experiments, they take dub and push it into the deepest corners of techno and out to the ambient fringes. Frustrated by identikit sounds in electronic music they set about pouring their technical knowledge together in search of innovation. They describe their approach in the studio as 'like making scent'. Dadub take sound and process it to extract depth and expose human warmth. With this studio outlook it was natural for Dadub to move into mastering. They delved in and Artefacts Mastering emerged: mastering that involves no presets and a policy of adjusting every track entirely from scratch. It's exactly this type of discipline, their use of open strategies instead of formulas that also makes Dadub so dynamic live. Live they layer dubbing and synthesis, they take Dadub material and deconstruct or reconstruct it spontaneously. Their sets are seriously deep and have been showcased internationally at Barcelona's Sonar festival, Germany's Melt! festival and in clubs from Berlin to Moscow. There's something alchemical about Dadub whether live, on record or when commanding the studio. And when considering their mixes for CLR or Electric Deluxe, it's clear that when given space and length they're ambitious. This adds anticipation for the forthcoming Dadub productions, particularly their first album, which they are currently synthesizing into existence. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Truth
Life
Vibration
Path
Death
Arrival
Unbroken Continuity
Existence
Iridescent Fragment
Truth - Original Mix
Life - Original Mix
Vibration - Original Mix
Perseverance
Path - Original Mix
Moksha
Beyond the Veil
Hadean
Temptation of Maya
Life (Rrose Remix)
Death - Original Mix
Circle - Original Mix
Existence (Kangding Ray Remix)
Ilya
Amnion
Arrival - Original Mix
Endless
Unbroken Continuity - Original Mix
Death (Lucy Remix)
Transfer - Original Mix
Refraction
Biopoiesis
Experience - Original Mix
Existence - Original Mix
Iridescent Fragment - Original Mix
Path (Lakker Remix)
Life - Rrose Remix
Circle
Transfer
fight them alone
Existence - Kangding Ray Remix
waitin' in a bottle
Experience
Blue Whale's Dub
e-motion
Death - Lucy Remix
yanka dub
Force Continuum Abuse
Metropolis
Circle (feat. Edit Select)
Mistresses March
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