Centipede
Channeling classic skatepunk, thrash, and surfy lo-fi indie, Los Angeles combo FIDLAR emerged in the early 2010s, rising from the D.I.Y. underground to make a surprising run on Billboard's Heatseekers chart with their eponymous full-length debut, which was also a critical favorite. Named after an acronym for a skate mantra (fuck it dog, life's a risk), FIDLAR's freewheeling party punk was brought to a global audience over the next several years via their 2015 follow-up, Too, and 2019's Almost Free. Influenced by SoCal punk rockers like Offspring and blink-182, as well as older bands from the area (which they learned about from their dad's record collection; he was the guitarist of T.S.O.L.), Max Kuehn (drums) and his brother Elvis (guitar/vocals) were playing punk shows around L.A. by their teens. By the time they were out of high school, guitarist/vocalist Zac Carper and bassist Brandon Schwartzel had joined up. Later the group went the independent route and started a homespun label to record material, while embracing the reaches of the Internet and making several videos to promote their music and as motivation to film their drunken antics. Mom & Pop signed them in 2012 for their debut album, FIDLAR, which was released in early 2013. The album debuted at number five on the Billboard Heatseekers chart and number two on the Alternative New Artist chart, and was the number one most added release at CMJ. After touring the world with bands like the Pixies, the Hives, Black Lips, and Wavves, the band ended up back home in need of a break. After starting a new album, but finding the songs and self-produced sound too FIDLAR-y for their liking, Carper headed out on a road trip, wrote a new batch of songs inspired by the music of his youth -- Elvis Kuehn and Schwartzel wrote some too -- and the band headed to Nashville to try again with producer Jay Joyce. The resulting album, 2015's Too, featured a more mature outlook and some musical muscle, topping Billboard's Heatseekers chart and charting well in the U.K. and Australia. Following tours for Too, FIDLAR remained relatively quiet for a period, eventually beginning work on album number three with Ricky Reed, a producer better known for his work with mainstream pop acts like Kesha and Halsey. After a handful of advance singles in 2018, the band's third LP, Almost Free, was released in January 2019. Biography by Jason Lymangrover Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Channeling classic skatepunk, thrash, and surfy lo-fi indie, Los Angeles combo FIDLAR emerged in the early 2010s, rising from the D.I.Y. underground to make a surprising run on Billboard's Heatseekers chart with their eponymous full-length debut, which was also a critical favorite. Named after an acronym for a skate mantra (fuck it dog, life's a risk), FIDLAR's freewheeling party punk was brought to a global audience over the next several years via their 2015 follow-up, Too, and 2019's Almost Free. Influenced by SoCal punk rockers like Offspring and blink-182, as well as older bands from the area (which they learned about from their dad's record collection; he was the guitarist of T.S.O.L.), Max Kuehn (drums) and his brother Elvis (guitar/vocals) were playing punk shows around L.A. by their teens. By the time they were out of high school, guitarist/vocalist Zac Carper and bassist Brandon Schwartzel had joined up. Later the group went the independent route and started a homespun label to record material, while embracing the reaches of the Internet and making several videos to promote their music and as motivation to film their drunken antics. Mom & Pop signed them in 2012 for their debut album, FIDLAR, which was released in early 2013. The album debuted at number five on the Billboard Heatseekers chart and number two on the Alternative New Artist chart, and was the number one most added release at CMJ. After touring the world with bands like the Pixies, the Hives, Black Lips, and Wavves, the band ended up back home in need of a break. After starting a new album, but finding the songs and self-produced sound too FIDLAR-y for their liking, Carper headed out on a road trip, wrote a new batch of songs inspired by the music of his youth -- Elvis Kuehn and Schwartzel wrote some too -- and the band headed to Nashville to try again with producer Jay Joyce. The resulting album, 2015's Too, featured a more mature outlook and some musical muscle, topping Billboard's Heatseekers chart and charting well in the U.K. and Australia. Following tours for Too, FIDLAR remained relatively quiet for a period, eventually beginning work on album number three with Ricky Reed, a producer better known for his work with mainstream pop acts like Kesha and Halsey. After a handful of advance singles in 2018, the band's third LP, Almost Free, was released in January 2019. Biography by Jason Lymangrover Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Broncho
Cleopatrick
Froth
Fuzz
No Waves
Cheap Beer
Sober
West Coast
Wake Bake Skate
40oz. On Repeat
Stoked and Broke
Max Can't Surf
5 to 9
Wait for the Man
Gimmie Something
Cocaine
White on White
Bad Habits
By Myself
Whore
Blackout Stout
Paycheck
Can’t You See
LDA
Punks
Leave Me Alone
Why Generation
Drone
Got No Money
Awkward
Alcohol
Oh
Flake
Overdose
Stupid Decisions
Bad Medicine
Get Off My Rock
Hey Johnny
Centipede
No Ass
Too Real
FSU
Sand On The Beach
Good Times Are Over
Black Out Stout
Called You Twice (feat. K.Flay)
Almost Free
Scam Likely
Sabotage
Nuke
GET OFF MY WAVE
DOWN N OUT
Nudge
Awkward - Bonus track: Recorded at MANT, June 2013
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