Liber Babalon



One-woman soundscape artist Abby Helasdottir from Wellington, New Zealand creates music self-described as dark ambience for dark goddesses. Gydja's (Norwegian for Priestess) most recent recording is on Gears of Sand called Machina Mundi. It apparently evokes the spirit of weather and plant life. There is also Umbilicus Maris on Mystery Sea and others. Umbilicus Maris truly is the perfect imaginary soundtrack to aquatic spelunking in Mexico. It's dark only in that you can't see that well, but the tones and the nature of the disc is really quite warm. Underground rivers on the Yucatán maintain a temperature of 76 degrees Fahrenheit (25 degrees Celsius) year-round. I'm not saying that Abby Helasdottir was going for 76-degree water with this recording, but even if you're staring into the dark abyss, it's much more comfortable if the water is warm. The disc is akin to drifting underground and discovering a plethora of iridescent petroglyphs that animate in a slow dancing story of an unrecorded civilization. Gurgling swaths of reverb use the water's reflection to paint images on the cave's ceiling, while prismatic droplets drip from glowing stalactites with beating hearts from an ice age still encased inside. Then the serpent designs on the walls start to rotate and glide, sprouting wings, cascading symmetrically creating four-dimensional objects in a non-threatening manner. This gives way to a procession of whale sized coffins floating overhead, presumably containing the bodies of various banished gods of Mayan lore. The drones inhale and exhale with many shades of the same overseeing voice, a plenitude of awareness oozing from the water and the overmind into my own. Drea once dictated to me, When you sing or use your voice in any way, you are co-creating the Universe. Basically, this sounds like the Universe singing along with our efforts. Very nice. Gydja does the patient sonic breathing like Stars of the Lid do, but it definitely has a darker cumbustion to it. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.