Vanity - Single
Lisel is the solo project of singer, producer, multi-instrumentalist, and experimental artist Eliza Bagg. Bagg is known as one half of the band Pavo Pavo, and has spent the last few years developing a prolific career in her own rite, from collaborating with indie and electronic acts like Helado Negro and Julianna Barwick, to honing her work as a classical singer, performing in avant-garde operas by Meredith Monk with the LA Philharmonic, to the work of John Zorn and Caroline Shaw. Lisel grew from Bagg’s desire to turn inwards as a way to get in touch with her own sense of authenticity. “I had found space in the classical world that made sense for me,” says Bagg, “but I realized I needed to make something that was truly mine, that sprung from my own voice.” This led to a year-long writing and recording process, with Bagg waking up every morning to spend time alone with just a microphone and her computer. “My main instrument is my voice, not a keyboard or a guitar, so I wanted it to be the genesis of every song,” she says. “I was trying to use the resources I had within me, within my body, to make something that feels true about the way we live our lives now, in 2019. That’s why I wanted to focus on my voice—I wanted each song to be literally made out of me.” And Bagg’s voice is a true marvel: intimate and warm while also impossibly crystalline and heavenly, which Pitchfork once compared to “a lovelorn alien reaching out from the farthest reaches of the galaxy.” It’s a worthy instrument from which to construct a world. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Lisel is the solo project of singer, producer, multi-instrumentalist, and experimental artist Eliza Bagg. Bagg is known as one half of the band Pavo Pavo, and has spent the last few years developing a prolific career in her own rite, from collaborating with indie and electronic acts like Helado Negro and Julianna Barwick, to honing her work as a classical singer, performing in avant-garde operas by Meredith Monk with the LA Philharmonic, to the work of John Zorn and Caroline Shaw. Lisel grew from Bagg’s desire to turn inwards as a way to get in touch with her own sense of authenticity. “I had found space in the classical world that made sense for me,” says Bagg, “but I realized I needed to make something that was truly mine, that sprung from my own voice.” This led to a year-long writing and recording process, with Bagg waking up every morning to spend time alone with just a microphone and her computer. “My main instrument is my voice, not a keyboard or a guitar, so I wanted it to be the genesis of every song,” she says. “I was trying to use the resources I had within me, within my body, to make something that feels true about the way we live our lives now, in 2019. That’s why I wanted to focus on my voice—I wanted each song to be literally made out of me.” And Bagg’s voice is a true marvel: intimate and warm while also impossibly crystalline and heavenly, which Pitchfork once compared to “a lovelorn alien reaching out from the farthest reaches of the galaxy.” It’s a worthy instrument from which to construct a world. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Guldimund
Quadeca
Sarya
Sevdaliza
Digital Light Field
Ciphers
One At A Time
Vanity
Die Trying
Immature
Blades of Grass
Hollowmaker
Bloodletting
Night and Day
Stalactite
Mirage
Hunker Down
Rabbit Rabbit
GENUiNE
Sun and the Swarm
This Time Tomorrow
INTRO: Liturgy
Wingspan
Polyphony For Voices
Plainsong
For a While
Rising Mist
At The Fair
Whirlpool
Specters
Time&Money (Or, How I Learned To Stop Worrying)
In the Dome
The Past Is A Tiger
I Am Not Ready To Go
Rings
On The Road To
Failure!
Spores
Ship Is Sailing
Mycelium
The Vanishing Point
Canyons
Celestial Edges
Straight To The Heart
Stalls
Wolves
Rainfall
Games
INTRO Liturgy
Come Soon
Inflate
Time & Money (Or, How I Learned To Stop Worrying)
Pavilion in the Trees Pt. 1
Hooked
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