MACHINA



Mlle. Polaire was used by French singer and actress Emilie Marie Bouchard (born May 14, 1874; died 1939). Born at Agha, Algiers, Algeria, she began her show-business career as a café singer, at age 15. At 17, she joined her older brother in Paris, France. Eventually adopting the stage name Polaire, she worked as a music-hall singer; in 1895, her fame increased significantly when Henri de Toulouse-Lautrec's sketch of her appeared in the satirical magazine Le Rire; in 1900, attention grew again, when she was painted by Leonetto Cappiello. Polaire went on to act in the theatre. Her first major appearance was in 1902, at the Bouffes-Parisiens, in the title role of a play based on Colette's Claudine à Paris. A gifted comedic actress, she became one of the major celebrities of her day. At a time when tightlacing among women was in vogue, she was famous for her tiny, corsetted waist, which was sometimes reported to have a circumference no greater than 14 inches (35.6 centimeters). This accentuated her large bust, which was said to measure 38 inches (96.5 centimeters). She stood 5 feet and 3 inches (160 centimeters) tall. Talk of her figure and her lavish overdressing in fur coats and dazzling jewels preceded her appearances wherever she went. In 1909, she was cast her in her first silent-film role. In the next three years, she was offered a role in a film by the up-and-coming young director Maurice Tourneur; she appeared in six of his films in 1912 and 1913. She then returned to the musical stage and began a tour of the United States in 1910 and appeared at the London Coliseum. Polaire returned to films in 1922; she performed in ten between then and 1935, some of them talkies. She died in 1939, at age sixty-five; her body was buried at the Cimetière du Centre, in the eastern Paris suburb of Champigny-sur-Marne. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.