Vol. 3 (Crossroads) - EP
Booking Request : lucas@a-k-a.fr Booking Asia: Ouissam@cliche-records.com S3A (Sampling As An Art) aims is to produce music sifted from multiple influences. This house project, based on the idea that electronic music is a blend of different cultures and music, started 15 years ago when Max began jamming on analog machines and samplers with different projects from techno (FriendShip Connection) to house (S3A). It is through this project that he expresses, among other things, his taste for soul and House music. Such as his beloved artists MCDE, Floating Points... he uses the process of sampling as a basis to color his music with sounds of all his inspirations, he always add his own touch and groove to get his own vision of electronic music: dynamic, warm, emotional and dirty. Although he discovered electronic music in 92 through UK hardcore with DJ as Tanith or Producer, his culture is based on a solid knowledge of house music, soul, funk, hip hop, making him one of the most promising house artists of the French scene since 2009. He first came to Paris with Zadig to realize his childhood dream: building a studio and later collaboration, Frendship Connection (All is just a matter of time has actually been playlisted by Marcel Dettmann). His residency at Concrete helped him to confirm his DJ position since the last 4 years adding as well releases on Lazare Hoche Records, Hold Youth, Concrete Music, Local Talk, Phonogramme and Faces. With these releases, his remix for Laurent Garnier on Music Large and his booking request from the French legend to play with him for his residency at Rex club and Concrete, gave him legitimacy and visibility in all over Europe. In 2014 he decided to make his own label Sampling As An Art Records and focus on finding new-blooded artists and release his very personal music. A perfect definition between underground quality emotional house music and dancefloor efficiency! In 2015, he released a collaborative EP on Uncanny Valley Label with Max Graef and Cuthead (whom released S3A RECORDS 03 the same year), made his first live representations and currently continue to spread his vision of music. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Booking Request : lucas@a-k-a.fr Booking Asia: Ouissam@cliche-records.com S3A (Sampling As An Art) aims is to produce music sifted from multiple influences. This house project, based on the idea that electronic music is a blend of different cultures and music, started 15 years ago when Max began jamming on analog machines and samplers with different projects from techno (FriendShip Connection) to house (S3A). It is through this project that he expresses, among other things, his taste for soul and House music. Such as his beloved artists MCDE, Floating Points... he uses the process of sampling as a basis to color his music with sounds of all his inspirations, he always add his own touch and groove to get his own vision of electronic music: dynamic, warm, emotional and dirty. Although he discovered electronic music in 92 through UK hardcore with DJ as Tanith or Producer, his culture is based on a solid knowledge of house music, soul, funk, hip hop, making him one of the most promising house artists of the French scene since 2009. He first came to Paris with Zadig to realize his childhood dream: building a studio and later collaboration, Frendship Connection (All is just a matter of time has actually been playlisted by Marcel Dettmann). His residency at Concrete helped him to confirm his DJ position since the last 4 years adding as well releases on Lazare Hoche Records, Hold Youth, Concrete Music, Local Talk, Phonogramme and Faces. With these releases, his remix for Laurent Garnier on Music Large and his booking request from the French legend to play with him for his residency at Rex club and Concrete, gave him legitimacy and visibility in all over Europe. In 2014 he decided to make his own label Sampling As An Art Records and focus on finding new-blooded artists and release his very personal music. A perfect definition between underground quality emotional house music and dancefloor efficiency! In 2015, he released a collaborative EP on Uncanny Valley Label with Max Graef and Cuthead (whom released S3A RECORDS 03 the same year), made his first live representations and currently continue to spread his vision of music. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Duration
Antois Benime (Austral Parc)
4 Hours to Stuttgard
Feels Like Garage
Theuz Hamtaak
Beginning
Second Hit
92 Anthem (My Answer To Strahil)
Leaving 19th
Doop Doop
Deep Mood, Act 2
Fever
Dick Jones Track
End Track for a DJ
Sleepness 909
Deep Mood Act 3
Boiler Lyon - The Ravist's Face
Friends
Deep Mood Act2
Simple fuel
Emotional M1
Greed
Chapitres
Intensity
Continuation
Forward, Pt. 1
Lockwood
Clarence J. Boddicker
First Day With Lucien
Eaux Troubles
Forward, Pt. 2 (The Anthem Version)
Something More
Work for NYRK
Interlude for Marc
Wu Impact
Massive Horns Interlude
Intensity - Original Mix
Beginning (Mixed)
Presentiment feat. Mika Blaster
Deep Mood Vol 4
Joint No. 5
Bob Morton Track
Slump
The Stinky Dirty Drunk Man With The Clean Shoes
Homage
Ass-Cid
Friends - Art Of Tones Southern Soul Remix
Speechless Hip-Hop
Clarence J. Boddicker - Lorenz Rhode Remix
Boiler Lyon (The Ravist's Face)
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