Basal
Jürgen Heckel, also known as Sogar, was born in Nuremberg in 1970 and has been living in Paris for 14 years and is now located in Munich. He started playing music when he was 19 and became part of several groups as a guitarist. He then got interested in creating and processing sound in unconventional ways. Thus Jürgen manipulates accidental sounds to create light and fragile melodic textures. The sources of these arrangements are guitars as well as sounds from mixing consoles, amplifiers, cables or other aural finds. These sounds are then reworked on a computer to become a music made of cracklings, and rich melodic oscillations exploring the extremes of the sound spectrum by associating acoustic technique and software. Sogar’s music is formed of richly layered textures, a delicate transmutation of static and formerly “nonmusical” sounds, a music where the melodic elements are created out of particular sounds of uncertain origin. All elements in this music slide and cover one against each other, running into itself yet still keeps a very controlled balance, while creating myriads of peaceful new lifeforms in the process. This music call attention by the constant wish to escape from any attempt of qualification or any act of nomination. Extremely dense and abstract as much as it becomes impossible to apply a classical epithet like “melancholic”, “sad”, “happy”, “beautiful”, etc, the music of Sogar is no less than a source of a new musical grammar. Without any conceptual thoughts his music is slightly but constantly transforming to become a sensitive translation of a state of mind nurtured by his subconscious. www.monohr.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Jürgen Heckel, also known as Sogar, was born in Nuremberg in 1970 and has been living in Paris for 14 years and is now located in Munich. He started playing music when he was 19 and became part of several groups as a guitarist. He then got interested in creating and processing sound in unconventional ways. Thus Jürgen manipulates accidental sounds to create light and fragile melodic textures. The sources of these arrangements are guitars as well as sounds from mixing consoles, amplifiers, cables or other aural finds. These sounds are then reworked on a computer to become a music made of cracklings, and rich melodic oscillations exploring the extremes of the sound spectrum by associating acoustic technique and software. Sogar’s music is formed of richly layered textures, a delicate transmutation of static and formerly “nonmusical” sounds, a music where the melodic elements are created out of particular sounds of uncertain origin. All elements in this music slide and cover one against each other, running into itself yet still keeps a very controlled balance, while creating myriads of peaceful new lifeforms in the process. This music call attention by the constant wish to escape from any attempt of qualification or any act of nomination. Extremely dense and abstract as much as it becomes impossible to apply a classical epithet like “melancholic”, “sad”, “happy”, “beautiful”, etc, the music of Sogar is no less than a source of a new musical grammar. Without any conceptual thoughts his music is slightly but constantly transforming to become a sensitive translation of a state of mind nurtured by his subconscious. www.monohr.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
010110
Ahtictap
Auratech
Boreta
Üi Spalt
Isolohr
Ker75
Selkind
Solang
Sonst_Wesentlich
Com.3.6
Monohr
Harm_Red
Melogen.Desk
L1
Pe
L2
Ker35
ST.02
L3
Dek Here
ST.03
Blun
ST.04
ui Spalt
X_Pas
ST.05
ST.07
ST.01
For A Pulse Or Two
ST.06
ST.09
Ker36
arid
ST.12
ST.08
ST.10
endogen Zeug
vom argen
ST.11
Melogen_Desk
üi spalt
Mammatus
Bau2
Shinsei amateur remix
Bau2-
X-Pas
Stratus
Métonymie
Ui_Spalt
Compiler
Cirrus
Nagoya
Ьi Spalt
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