Recua
In the early 90's, the effervescent musical scene of Bahia generated a new phenomenon: Timbalada - a huge group of percussionist with tribal paintings on their bodies and a female singer that performed topless. they all played timbaus, a tall drum that hangs from the shoulder of the percussionist and is held between the legs. A product of the brilliant imagination of singer, songwriter and virtuoso percussionist Carlinhos Brown, Timbalada does justice to Bahia's rhythmic tradition and, at the same time, introduces modernity and boldness to it. The main singer's hoarse voice, the non-sense of the lyrics, the tribal painting an the collective use of sunglasses helped to place Timbalada among the most original and ceative bands to appear in the last years. Timbalada is an Afro-Brazilian musician group from Candeal, Salvador, Brazil. It was founded by drummer Carlinhos Brown. The musical style is between samba reggae and axé, with strong influences from African music. They are a highly popular group that regularly plays sold-out shows throughout Brazil. The group is mostly known for its active participation to the carnival each year in the streets of Salvador de Bahia. It also engages in social activism by working with needy children, providing education and drum courses to help them in social integration. Musically, Timbalada is credited with two major innovations in the instrumentation of Afro-Brazilian music: the revival of the timbal (a tall, high-pitched hand drum), and the development of a rack of 3 surdos (bass drums) that can be played by a single player. The timbal, which had been nearly extinct before Timbalada began featuring it, has since become widespread in many Afro-Brazilian genres, including axé and samba-reggae. The rack of surdos, also called a bateria-de-surdo (surdo drumset) is now widely used by many groups for stage performances when not parading. Because the bateria-de-surdo can only hold 3 surdos within arm's reach of a single player, the traditional 4-surdo arrangements of many samba-reggae rhythms is often trimmed down to a 3-surdo arrangement Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
In the early 90's, the effervescent musical scene of Bahia generated a new phenomenon: Timbalada - a huge group of percussionist with tribal paintings on their bodies and a female singer that performed topless. they all played timbaus, a tall drum that hangs from the shoulder of the percussionist and is held between the legs. A product of the brilliant imagination of singer, songwriter and virtuoso percussionist Carlinhos Brown, Timbalada does justice to Bahia's rhythmic tradition and, at the same time, introduces modernity and boldness to it. The main singer's hoarse voice, the non-sense of the lyrics, the tribal painting an the collective use of sunglasses helped to place Timbalada among the most original and ceative bands to appear in the last years. Timbalada is an Afro-Brazilian musician group from Candeal, Salvador, Brazil. It was founded by drummer Carlinhos Brown. The musical style is between samba reggae and axé, with strong influences from African music. They are a highly popular group that regularly plays sold-out shows throughout Brazil. The group is mostly known for its active participation to the carnival each year in the streets of Salvador de Bahia. It also engages in social activism by working with needy children, providing education and drum courses to help them in social integration. Musically, Timbalada is credited with two major innovations in the instrumentation of Afro-Brazilian music: the revival of the timbal (a tall, high-pitched hand drum), and the development of a rack of 3 surdos (bass drums) that can be played by a single player. The timbal, which had been nearly extinct before Timbalada began featuring it, has since become widespread in many Afro-Brazilian genres, including axé and samba-reggae. The rack of surdos, also called a bateria-de-surdo (surdo drumset) is now widely used by many groups for stage performances when not parading. Because the bateria-de-surdo can only hold 3 surdos within arm's reach of a single player, the traditional 4-surdo arrangements of many samba-reggae rhythms is often trimmed down to a 3-surdo arrangement Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Beija-Flor
Água Mineral
A Luz De Tieta
Mimar Você
Toque De Timbaleiro
Margarida Perfumada (Ao Vivo)
A Latinha
Toneladas de Desejo
Cachaça
Namoro A Dois
Canto Pro Mar
Zorra
Margarida Perfumada
Se Você Se For / Música Incidental: Máscara Negra
Ashansu
Minha Historia
Meia Hora
Na Beira Do Mar
Mulatê Do Bundê
Som Dos Tribais
Sorriso Livro
Mãe Oyá
Ai
Cara de Carnaval - Ao Vivo
Maracaia
Fricote Da Terezinha
Beija Flor
Medley: Se Você Se For / Música Incidental: Mascara Negra
Sambaê
Emilio
Pedindo Pra Voltar
U-Maracá
Tuck Tuck
Ralé
Carimbolada Soul
Braseira Ardia
Ginga de Balé
Perdido de Amor - Ao Vivo
Tim Eu Quero Ser Seu Bem
Maria Gosta
Tá Na Mulher
Recua
Por Conta Desse Amor
Na Ilha Grande
Coracao De Bola
Camisinha
Anô Ayê
Suplicio Sertanejo
Alegria Original - Com Texto Poético Para Obra Musical "Vassourinhas"
Papá Papet
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